Robert Pattinson Talks To The LA Times' 'The Envelope' & Great NEW Pics

Robert Pattinson Talks To The LA Times' 'The Envelope' & Great NEW Pics

Loving these new pics and all the new interviews!



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CLICK HERE to Read the interview 

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VIDEO: Robert Pattinson Posing For Photographers At The Fred Hollows Foundation Inaugural Fundraising Gala Dinner Last Night

VIDEO: Robert Pattinson Posing For Photographers At The Fred Hollows Foundation Inaugural Fundraising Gala Dinner Last Night

Did you miss the photos? Catch them HERE & HERE

MORE Gorgeous HQ's: Robert Pattinson At The Fred Hollows Foundation Inaugural Fundraising Gala Dinner (Nov. 15)

MORE Gorgeous HQ's: Robert Pattinson At The Fred Hollows Foundation Inaugural Fundraising Gala Dinner (Nov. 15)


Excuse any repeats, lots of new photos. Lordy he looked good last night (doesn't he always?).
Look how quickly his hair is growing back!

Enjoy :)

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LOADS  OF FAB HQ'S AFTER THE CUT

NEW PICS: Robert Pattinson looking STUNNING at The Fred Hollows Foundation Inaugural Fundraising Gala Dinner (Nov. 15)

NEW PICS: Robert Pattinson looking STUNNING at The Fred Hollows Foundation Inaugural Fundraising Gala Dinner (Nov. 15)

LAWDY!
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Rob with Joel Edgerton
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Source: PP

LISTEN To Robert Pattinson On BBC Radio 4

LISTEN To Robert Pattinson On BBC Radio 4

UPDATE: You can now listen to the podcast HERE

An interview with Rob will be on BBC Radio 4 at 7:15pm (GMT). You can listen online by clicking HERE

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Robert Pattinson on the cover of Time Out London (Nov 14)





Robert Pattinson Talks To 'Time Out' About 'Good Time', 'Harry Potter', University & LOTS MORE

Robert Pattinson Talks To 'Time Out' About 'Good Time', 'Harry Potter', University & LOTS MORE

Time Out interviewed Rob when he was in London. It's a good read. Grab a cuppa and get comfortable!

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With ‘Harry Potter’ and ‘Twilight’ far behind him, Robert Pattinson’s latest film is punk jailbreak thriller ‘Good Time’. He tells us about getting into acting, hanging out in New York prisons and why London is his favourite city

Robert Pattinson’s hair is no more. When I meet him, his enviably tousled locks have been replaced with a brutal shearing practically designed to break a million ‘Twilight’ fans’ hearts. This buzzcut is a by-product of Pattinson’s new film ‘Good Time’, which requires his character to give himself a terrible bottle-blond dye job and left him looking like Scarecrow in the ‘The Wizard of Oz’ after a hard night out. Seeing him reclining on a Soho hotel’s sofa in the unfussy jeans-and-T-shirt-and-sneakers combo that’s become his uniform (‘I could keep my stuff in a plastic bag,’ he says), it’s easy to imagine that without another project to work on – Claire Denis’s sci-fi adventure ‘High Life – he’d still be cheerily rocking the yellow mop top.

Pattinson, it’s fair to say, is happiest doing the opposite of what people expect. As a teenager in Barnes, he had an unorthodox introduction to acting: he auditioned for a play just because he fancied a girl in it. His lucky break came getting the part of Cedric Diggory in ‘Harry Potter and the Goblet of Fire’ at 17. Then he had megawatt fame thrust upon him by the £2.5 billion-grossing behemoth that was ‘The Twilight Saga’. Since then he’s taken the road less travelled. ‘People were waiting outside my house a few years ago,’ he remembers of the ‘Twilight’-fuelled hysteria that saw him doorstepped by fans and his girlfriend, FKA Twigs, receive death threats from racist Twi-hards, years after the series had finished.

Then SW13’s most famous son ditched the blockbusters, and the spotlight. He spent the past few years working with cult directors like David Cronenberg, Werner Herzog and James Gray. The resulting films haven’t always set the box office alight, but they have been singular, occasionally brilliant and hellishly hard to shake off. ‘Good Time’ is another one of those. A scuzzy pulp thriller with a patina of sweaty desperation, it’s a furious, compelling watch. It’s also a likely Oscar contender, and Pattinson is a revelation. 

Click for HQ

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Read the Interview After The Cut

 
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