Watch Robert Pattinson On Jimmy Kimmel (Livestream Links & Info)
So Rob is on Jimmy Kimmel tonight and I know you are all looking forward to it as much as me.
Here's all the info and some livestream links so that you can watch and as you know we'll have it all up on the blog as soon as possible.
For those of you living in the US the best way to watch is obviously on the ABC channel
Check local listings for airing times.
But for those who don't want to wait (or who live outside of the US) here are some livestream feeds
(I don't know which of these will work, it can be hit and miss with livestreams sometimes as you know by now)
The show will air first at:
11:59PM ET /9PM PT /5AM BST/ 6AM CET (Thurs Morning)
Feeds 1/2/3/4/5/6 - Outside of the U.S. 1
Thanks to RobPattzNews for the info
The Hollywood Reporter talks Robert Pattinson and the publicists who want him
The Hollywood Reporter talks Robert Pattinson and the publicists who want him
I liked this article because when Rob went on air at The Daily Show last week, joking about getting a publicist, I thought, "Lawd, and all the publicists in the world are emailing their resume and blowing up cell phones." Now a little is popping out that they just might be doing that.
From The Hollywood Reporter:
I liked this article because when Rob went on air at The Daily Show last week, joking about getting a publicist, I thought, "Lawd, and all the publicists in the world are emailing their resume and blowing up cell phones." Now a little is popping out that they just might be doing that.
From The Hollywood Reporter:
It was an innocent joke: "My biggest problem in life is, I'm cheap and I didn't hire a publicist," Robert Pattinson told Jon Stewart Aug. 13 on The Daily Show while promoting Cosmopolis amid the Kristen Stewart cheating hoopla. Sources tell THR the comment set off a mini-frenzy among top Hollywood publicity shops, many of which were salivating at the prospect that Pattinson -- who for years has gone without a personal PR rep -- might finally take one on.
The Twilight star's manager, Nick Frenkel, is said to have been inundated with phone calls and e-mails from firms including 42West, Sunshine Sachs and others seeking meetings to pitch press strategies for the 26-year-old star (and offering to slash fees). (Tink: I laughed. Rob forever extending Nick's job title. That's what friends are for. *singing sappy song for Rob and Nick*)
Frenkel declines comment, but one source says Pattinson still has no desire to add a publicist to his team. Notes one veteran rep: "He's actually doing really well on his own."If people had doubts, last week definitely proved he's doing great without one. Rob's team was at their best and their star client shined brightly all on his own like he always has. Publicist? Robert Pattinson don't need no stinkin' publicist. ;)
Get In The Limo With Robert Pattinson (Updated)
UPDATED: With Info for Canada
Get In The Limo With Robert Pattinson (Updated)
Great news "Comopolis" expands to over 60 theatres this weekend and MORE will be added on 31st August.
Here's the updated list from EOne
08/17/2012 Elinor Bunin Monroe Film Center, New York, NY
08/17/2012 Sunshine Cinema 5, New York, NY
08/17/2012 The Landmark 12, West Los Angeles, CA
08/24/2012 Empire 25, New York, NY
08/24/2012 The Beekman, New York, NY
08/24/2012 Kendall Square Cinema 9, Cambridge, MA
08/24/2012 Boston Commons, Boston, MA
08/24/2012 Criterion Cinemas 7, New Haven, CT
08/24/2012 Palace 17 & Odyssey, Hartford, CT
08/24/2012 Ritz at the Bourse, Philadelphia, PA
08/24/2012 Ritz 16, Voorhees, NJ
08/24/2012 E Street Cinema, Washington, DC
08/24/2012 Landmark's Century Centre Cinema, Chicago, IL
LOADS More After the Cut
And also some good news for those of you in London & Canada
Get In The Limo With Robert Pattinson (Updated)
Great news "Comopolis" expands to over 60 theatres this weekend and MORE will be added on 31st August.
Here's the updated list from EOne
08/17/2012 Elinor Bunin Monroe Film Center, New York, NY
08/17/2012 Sunshine Cinema 5, New York, NY
08/17/2012 The Landmark 12, West Los Angeles, CA
08/24/2012 Empire 25, New York, NY
08/24/2012 The Beekman, New York, NY
08/24/2012 Kendall Square Cinema 9, Cambridge, MA
08/24/2012 Boston Commons, Boston, MA
08/24/2012 Criterion Cinemas 7, New Haven, CT
08/24/2012 Palace 17 & Odyssey, Hartford, CT
08/24/2012 Ritz at the Bourse, Philadelphia, PA
08/24/2012 Ritz 16, Voorhees, NJ
08/24/2012 E Street Cinema, Washington, DC
08/24/2012 Landmark's Century Centre Cinema, Chicago, IL
LOADS More After the Cut
And also some good news for those of you in London & Canada
New/Old Interview with Robert Pattinson from UK Cosmopolis Press Junket
New/Old Interview with Robert Pattinson from UK Cosmopolis Press Junket
This was from UK promo in June that we missed. Thoughtful interview from our favorite guy :) Also, we posted there review of the film HERE under our Cannes reviews of Cosmopolis.
Written-off Robert Pattinson as just another fleeting tween sensation? Then listen up. Because Cosmopolis, David Cronenberg's smart adaptation of Don DeLillo's futurist novel, is about to announce the 26-year-old Brit's true arrival. LWLies met up with Pattinson recently to chat about the making of Cosmopolis and why he'll always be up for a challenge.
LWLies: We were in Cannes when Cosmopolis first screened. How was that whole experience for you?
Pattinson: It was kind of terrifying, but mainly because I've never been to a premiere with potentially a hostile audience. It's a film which could potentially be quite divisive because it's quite wordy and in Cannes there's the added complexity with the language barrier. I remember sitting there and looking around at all these blank faces. No one was laughing. I genuinely thought it was going to get booed. I was so grateful it wasn't savaged.
The whole Cannes booing thing is kind of a carnival, you can't take it too seriously.
I know, I know. But then David [Cronenberg] was telling me about when Crash screened and people were screaming in the audience. Like, actually going wild during the movie. And I was speaking to Gaspar Noé the other day and he was saying that with Irreversible everyone was yelling 'How would you like it?!' and all this nonsense. He was sitting next to the guy who plays the rapist [Jo Prestia] thinking, 'Fuck, I'm going to get killed after this'.
Did it put you at ease being in David's company?
Yeah, totally. He was really relaxed. The thing is, normally when you go to a premiere you don't often stay for the whole movie, but in Cannes you sit through it wondering if you're going to get clapped or booed afterwards. It's a pretty terrifying experience and a strange environment to watch a film in. But I'd seen the film before Cannes and I knew I loved it, which is a pretty rare thing for me because I don't normally like the stuff I'm in. (Tink: I love all his stuff. Rob's choices never fail to intrigue.)
Was Cosmopolis something you chased or were you approached?
I read the script about a year before we made it. Someone sent it to me on the basis that it was just a really well-written script. I really liked it then but we didn't act on it right away because initially Colin Farrell had been cast, but he dropped out and suddenly I was in a position to go for it. (Tink: Thank the gods!)
What was it like working in an environment where you're in a small closed set, in the back of a limo for most of the film, and you only share a few minutes of screentime with the other actors?
I worked with everyone for about two or three days, but actually the further we got into the shoot the less time the scenes took. So where the early scene with Jay Baruchel took, like, three or maybe four days, a the others were generally much shorter. After two weeks of shooting a movie you normally just relax into the routine of the work, but with Cosmopolis we had big names coming in every few days shooting their scenes and then going. It really keeps you on your toes and in many ways it's like shooting loads of different, or smaller movies. But you get used to it and actually you get quite comfortable because you're so familiar with the set.
Was it difficult having David direct you remotely from outside the limo?
It was a little odd a first. But you know I did this Harry Potter movie where we filmed a lot underwater, so I was kind of experienced in not having the director standing next to you. It was similar in some ways to that because you can't see anything apart from what's inside the limo and a camera that's mounted on this remote-controlled crane. David always had the camera positioned incredibly close to your face as well, with a really wide lens on it. So you have a totally different relationship with the camera because normally you're trying to communicate with the guy behind the camera, you ignore the camera. Here you're doing everything for the camera, but it's like no one's watching, like no one's ever going to see it. It's like you're close friends with this little machine.
Do you see this as a significant juncture in your career?
Not really because the film is so obscure. It's not like everyone's going to get it. But yeah, it's definitely a good step in terms of my career and where I'd like to end up. (Tink: It was a fantastic step in his career.)
Having done a lot of mainstream films are smaller, more out-there films now more appealing to you?
Um, I mean... Sometimes. But it's not like I went out looking for the highest risk project. To be honest what attracted me was working with David and the quality of the writing, which was just insane compared to some of the garbage I'd been reading around the time. I'd never read any Don DeLillo before, so it was a bit of an eye-opener. But I'm not looking for obscurities the whole time. The movies I've signed on to do after this aren't quite as odd as this but they're certainly artistically ambitious. (Tink: They certainly are and we can't wait to see them!)
So few actors ever receive the level of exposure you have right now, do you feel a pressure to try to maintain that by taking on bigger roles?
I don't really know. If I could stay at a level where I was consistently working then I'd be happy. But I can't predict the way the industry is going to go. Things change so quickly, there are so many people who were huge a few years ago and now can't even get a film made. Right now people seem to care about me, but I'm sure that won't last. (Tink: GAH. I'm believing it'll last forever, right DR??) Frankly I find it all a bit absurd. I'm just trying to do as much interesting stuff as I can for as long as I can.
What do you love about movies?
I think it's the easiest was to educate people about, like, a million things. I remember watching Godard movies when I was younger and being introduced to Henry Miller and from there discovering Tom Waits and suddenly you've learned so much. Cool movies taught me so much more than books in school ever did. I didn't even realise I was interested in working in movies when I was watching them when I was younger. Now I can't imagine doing anything else. (Tink: I'm grateful he shares his talent with such a wide audience.)
Via: Those British Boys
This was from UK promo in June that we missed. Thoughtful interview from our favorite guy :) Also, we posted there review of the film HERE under our Cannes reviews of Cosmopolis.
Robert Pattinson is magnetic as Eric Packer, slick, jaded 26-year-old CEO of Packer Capital who decides to take a fleet of Limousines across New York City in search of a haircut. This is his best performance to date by some considerable margin."From Little White Lies:
Written-off Robert Pattinson as just another fleeting tween sensation? Then listen up. Because Cosmopolis, David Cronenberg's smart adaptation of Don DeLillo's futurist novel, is about to announce the 26-year-old Brit's true arrival. LWLies met up with Pattinson recently to chat about the making of Cosmopolis and why he'll always be up for a challenge.
LWLies: We were in Cannes when Cosmopolis first screened. How was that whole experience for you?
Pattinson: It was kind of terrifying, but mainly because I've never been to a premiere with potentially a hostile audience. It's a film which could potentially be quite divisive because it's quite wordy and in Cannes there's the added complexity with the language barrier. I remember sitting there and looking around at all these blank faces. No one was laughing. I genuinely thought it was going to get booed. I was so grateful it wasn't savaged.
The whole Cannes booing thing is kind of a carnival, you can't take it too seriously.
I know, I know. But then David [Cronenberg] was telling me about when Crash screened and people were screaming in the audience. Like, actually going wild during the movie. And I was speaking to Gaspar Noé the other day and he was saying that with Irreversible everyone was yelling 'How would you like it?!' and all this nonsense. He was sitting next to the guy who plays the rapist [Jo Prestia] thinking, 'Fuck, I'm going to get killed after this'.
Did it put you at ease being in David's company?
Yeah, totally. He was really relaxed. The thing is, normally when you go to a premiere you don't often stay for the whole movie, but in Cannes you sit through it wondering if you're going to get clapped or booed afterwards. It's a pretty terrifying experience and a strange environment to watch a film in. But I'd seen the film before Cannes and I knew I loved it, which is a pretty rare thing for me because I don't normally like the stuff I'm in. (Tink: I love all his stuff. Rob's choices never fail to intrigue.)
Was Cosmopolis something you chased or were you approached?
I read the script about a year before we made it. Someone sent it to me on the basis that it was just a really well-written script. I really liked it then but we didn't act on it right away because initially Colin Farrell had been cast, but he dropped out and suddenly I was in a position to go for it. (Tink: Thank the gods!)
What was it like working in an environment where you're in a small closed set, in the back of a limo for most of the film, and you only share a few minutes of screentime with the other actors?
I worked with everyone for about two or three days, but actually the further we got into the shoot the less time the scenes took. So where the early scene with Jay Baruchel took, like, three or maybe four days, a the others were generally much shorter. After two weeks of shooting a movie you normally just relax into the routine of the work, but with Cosmopolis we had big names coming in every few days shooting their scenes and then going. It really keeps you on your toes and in many ways it's like shooting loads of different, or smaller movies. But you get used to it and actually you get quite comfortable because you're so familiar with the set.
Was it difficult having David direct you remotely from outside the limo?
It was a little odd a first. But you know I did this Harry Potter movie where we filmed a lot underwater, so I was kind of experienced in not having the director standing next to you. It was similar in some ways to that because you can't see anything apart from what's inside the limo and a camera that's mounted on this remote-controlled crane. David always had the camera positioned incredibly close to your face as well, with a really wide lens on it. So you have a totally different relationship with the camera because normally you're trying to communicate with the guy behind the camera, you ignore the camera. Here you're doing everything for the camera, but it's like no one's watching, like no one's ever going to see it. It's like you're close friends with this little machine.
Do you see this as a significant juncture in your career?
Not really because the film is so obscure. It's not like everyone's going to get it. But yeah, it's definitely a good step in terms of my career and where I'd like to end up. (Tink: It was a fantastic step in his career.)
Having done a lot of mainstream films are smaller, more out-there films now more appealing to you?
Um, I mean... Sometimes. But it's not like I went out looking for the highest risk project. To be honest what attracted me was working with David and the quality of the writing, which was just insane compared to some of the garbage I'd been reading around the time. I'd never read any Don DeLillo before, so it was a bit of an eye-opener. But I'm not looking for obscurities the whole time. The movies I've signed on to do after this aren't quite as odd as this but they're certainly artistically ambitious. (Tink: They certainly are and we can't wait to see them!)
So few actors ever receive the level of exposure you have right now, do you feel a pressure to try to maintain that by taking on bigger roles?
I don't really know. If I could stay at a level where I was consistently working then I'd be happy. But I can't predict the way the industry is going to go. Things change so quickly, there are so many people who were huge a few years ago and now can't even get a film made. Right now people seem to care about me, but I'm sure that won't last. (Tink: GAH. I'm believing it'll last forever, right DR??) Frankly I find it all a bit absurd. I'm just trying to do as much interesting stuff as I can for as long as I can.
What do you love about movies?
I think it's the easiest was to educate people about, like, a million things. I remember watching Godard movies when I was younger and being introduced to Henry Miller and from there discovering Tom Waits and suddenly you've learned so much. Cool movies taught me so much more than books in school ever did. I didn't even realise I was interested in working in movies when I was watching them when I was younger. Now I can't imagine doing anything else. (Tink: I'm grateful he shares his talent with such a wide audience.)
Via: Those British Boys
NEW Interview: Robert Pattinson & David Cronenberg Talk To Screenslam
UPDATE: Added You Tube
NEW Interview: Robert Pattinson & David Cronenberg Talk To Screenslam about the atmosphere on set, Rob as Eric Packer and why Rob took the role
Source screenslam.com
via Cosmopolisfilm
NEW Interview: Robert Pattinson & David Cronenberg Talk To Screenslam about the atmosphere on set, Rob as Eric Packer and why Rob took the role
Source screenslam.com
via Cosmopolisfilm
Robert Pattinson Comic Con Portraits (Now UHQ)
We had these gorgeous Robert Pattinson Comic Con Portraits before but now they're in UHQ and you know what we always say? Bigger is better
Lots Of UHQ's After The Cut
Lots Of UHQ's After The Cut
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