Here it is...your moment of Robert Pattinson

Here it is...your moment of Robert Pattinson

Here Is..... Your Morning Wake Up Call With Robert Pattinson

Here Is..... Your Morning Wake Up Call With Robert Pattinson



GIf Thanks To Nylfn

VIDEO: Hilarious NEW/Old Interview With Robert Pattinson & David Cronenberg From 'Cosmopolis' Promo

VIDEO: Hilarious NEW/Old Interview With Robert Pattinson & David Cronenberg From 'Cosmopolis' Promo

I can't recall seeing this interview back in 2012 and it's just TOO good not to share. It's hilarious and classic Rob. Who else misses Robenberg?



Source
Thanks to @TheTimeRob for digging it up.
via PAW

Here it is...your moment of Robert Pattinson

Here it is...your moment of Robert Pattinson

Here it is...your moment of Robert Pattinson

Here it is...your moment of Robert Pattinson

Here Is...... Your Morning Wake Up Call With Robert Pattinson

Here Is...... Your Morning Wake Up Call With Robert Pattinson 



Thanks Mel!

Torture Tuesday: Robert Pattinson's best performance was in Cosmopolis...no wait...The Rover...

Torture Tuesday: Robert Pattinson's best performance was in Cosmopolis...no wait...The Rover...

PJ recently did a Blast From The Past about Rob's rave reviews for his performance in Cosmopolis.

It got me thinking....thinking evil things....


Oh yes...it's Tuesday which means why not have a little torture???

Since Twilight ended, Rob has had 2 pretty substantial roles (substantial meaning lead or co-lead) that received much praise - Eric Packer in Cosmopolis and Rey in The Rover....so....which performance do you think was the best???



This might seem easy to some but is it really? IS IT???
I actually know which one I'd pick but I've had time to ponder. Now it's your time to ponder...

Blast from the Past: The critics reviews for Robert Pattinson's performance in Cosmopolis

This blast from the past post is one of my favourite Robert Pattinson fandom moments ever! Do you remember when the premiere for Cosmopolis screened in Cannes in 2012?





As the applause continued for David Cronenberg's Cosmopolis many of us fans were scouring twitter for the first reactions.  We knew the critics reactions for Cosmopolis would be a turning point for Rob's career.



Read after the cut for the first tweets that started to filter out as our excitement grew ....

Click HERE to read the rest

Robenberg bromance never ends! David Cronenberg says Robert Pattinson is an underrated actor, a sweetheart and MORE!

Robenberg bromance never ends! David Cronenberg says Robert Pattinson is an underrated actor, a sweetheart and MORE!




Excerpt from The Daily Beast: David Cronenberg On Soul-Crushing Hollywood, BDSM, and Limo Sex with Robert Pattinson
You and Robert Pattinson have developed an interesting creative partnership. You’re a bit of an odd couple.

We are. Well, first of all, I think he’s a really good actor, and I think he was an underrated actor because of the stiffness and silliness of Twilight and those characters in it. But seeing other work that he had done and seeing that he was a serious actor and looking for challenges, and wasn’t trying to “manage his image” as a star, was attractive to me. And, of course, being such a big celebrity is helpful because it will help your film get financed, but the charisma that made him work so well as Edward Cullen is something you want in a movie like Cosmopolis where he’s in every scene in the movie. You need someone who’s infinitely watchable. But once you’re on the set, he’s just a sweetheart. Totally professional, really accessible, and funny. And a terrific actor. (Tink: MY HEART. Things we know but I NEVER tire of reading or hearing them.)

So I take it you’re not a fan of the Twilight movies.

Well, no, of course not. Look, the series is a huge hit, of course, but it’s young adult fiction and I’m not a young adult. If people are mesmerized by it you can’t argue with it. Not a lot of movies and series have that kind of following. I don’t fault it for that.

Right. Twilight also had a strange chastity/sex is evil message.

Yeah. And you can be sure that Rob was aware of all those things. He’s very well-read, and very well-versed in cinema—which I’m not sure his fans know. (Tink: Ah ah ah. We are veeeeery aware of this side of Rob. Maybe Edward only fans don't know what's up but Rob fans do.) He was very hyper-aware of all those things surrounding those movies.

Your film does have a fun sex scene between Julianne Moore and Robert Pattinson in a limo.

That was fun to shoot! (Tink: And fun to watch!) It requires some athleticism to have sex in a limo for all concerned—including the cameraman—but obviously this isn’t the first time I’ve done a sex scene in a limo, since we did a bit of it in Cosmopolis. In this case it was a real limo, but in Cosmopolis it was a limo-set.

Well Robert seems to have the limo sex thing down, now.

[Laughs] I’ve never asked him how many times he’s had sex in a limo for real. It’s not really my place to ask such a thing. It really just requires the characters to be good actors. Obviously, the sex had a very different tone in this movie because he’s not the star—she’s the star in this movie. He’s just servicing her, and he knows that he’s doing it for his career—he thinks. Whereas in Cosmopolis, he’s the emperor of his limo. (Tink: Master of the universe.)

That was the great thing about this sex scene—it’s a young stud servicing a woman. There aren’t many sex scenes in cinema that feature a woman running the show.

It’s a lovely part of Bruce’s script—that he’s constantly keeping you guessing.

Blast from the past: Utube is ROBsessed with Robert Pattinson

Robert Pattinson interviews are the gateway drug.   It's a rabbit hole I think we have all fallen down ... I'll just watch one ... and then ....

Bite Me

Artist on artist

He cannot still be driving that car



Rob talks Cosmopolis and his sister Lizzy

The Best Story Ever


Source Source Source Source Source 

NEW/Old Robert Pattinson MTV First Pic From 2012 Cosmopolis Promo

 NEW/Old Robert Pattinson MTV First Pic From 2012 Cosmopolis Promo

Well hello Sexy!
After checking through our files it turns out we don't have this HQ pic from the MTV First for Cosmopolis and I'm sure you'll agree is too gorgeous to miss out on.



HQ and the rest of the pix after the CUT

Click HERE to read the rest

ROBsessed Quickie: Sarah Gadon about Robert Pattinson - "He’s all ‘I don’t know what I’m doing’, but he’s very smart"

ROBsessed Quickie: Sarah Gadon about Robert Pattinson - "He’s all ‘I don’t know what I’m doing’, but he’s very smart"



“I love what Rob (Pattinson) did in Cosmopolis…on the outside he’s all ‘I don’t know what I’m doing’, but he’s very smart….I get along really well with all my leading men.

~Sarah Gadon to ASOS

Throwback Thursday: Robert Pattinson and his many faces at Cosmopolis Apple Store event (June 1, 2012)

Throwback Thursday: Robert Pattinson and his many faces at Cosmopolis Apple Store event (June 1, 2012)

With the news that Rob would be at attending another Regent Street Apple Store event for The Rover on Aug. 7th, we wanted to revisit the gorgeous, funny and thirsty pictures we got from the same event two years ago for Cosmopolis.

Over 250 amazing HQs under the cut!

Click HERE to read the rest

NEW: Robert Pattinson - "I like movies where you leave and you’re not supposed to know how you feel afterward, ever"

NEW: Robert Pattinson - "I like movies where you leave and you’re not supposed to know how you feel afterward, ever"  

Rob sat down with Salon and talked about The Rover, his career and choices, his English accent, and sooooo much more! Another great print interview with Rob :))

From Salon:

He’s been trying to shed Edward Cullen for years — and now he may finally have done it.

Robert Pattinson rose to megafame playing Cullen, a lovelorn vampire, in the “Twilight” series, but has in his off-dury hours been trying to become something more interesting than a leading man. After the period piece “Bel Ami” and the romantic dramas “Remember Me” and “Water for Elephants” didn’t connect, Pattinson has styled himself as a versatile supporting actor. In David Cronenberg’s “Cosmopolis,” Pattinson, perpetually picking up new visitors in his limousine, was nominally the lead but was willing to cede the role of most interesting person on-screen to just about anyone who crossed his path; in Cronenberg’s forthcoming “Maps to the Stars,” Pattinson plays the limo driver.

And in David Michôd’s new film “The Rover,” Pattinson makes his greatest departure yet, playing a mentally challenged vagrant who’s migrated to a post-apocalyptic Australia and finds himself on a quest to help Guy Pearce find his car. It’s the sort of role that at a different time of year, and in a tonier, more tasteful sort of film, ends up in Oscar conversations: Pattinson has mottled brown teeth and a thick Southern accent. If this sounds like a way for Pattinson to finally shed the constraints of his leading-man roles, it is — but it’s clear that Pattinson is having fun while doing it.

He seemed open and relaxed in his standard white T-shirt when we met at New York’s Bowery Hotel, where he chugged sparkling water between answers. He spoke freely about what’s next up — including James Gray’s “Lost City of Z” adaptation and “Life,” a James Dean biopic by Anton Corbijn. Spoiler alert: Pattinson is not playing Dean.

When you go for weeks at a time promoting something, are there questions you’re repeatedly asked that you’re tired of answering?

Well, I can never remember what I’m asked. But I kept getting asked about flies in the outback, because I’d mentioned one time in the very first interview I did, “Oh, there’s loads of flies there — it’s really crazy.” And when interviewers will ask you again, I’m like, “Surely, surely you’ve seen this. Yes, there are a lot of flies.” And they just keep asking. What do I say? “Oh, actually flies are amazing; it was the best part of all of it.”

I feel like there’s only so much you can say about flies.

Which is absolutely nothing.

So you started filming last year – take me through a little bit of your state of mind. You must have been feeling pretty free in some sense, now that the “Twilight” franchise is completely over.

I got the part about eight or nine months before we started shooting it. And then I was supposed to shoot another movie before I ended up doing it. And I did “Maps to the Stars” as well, just a little part. I was going to do another lead role and then it got pushed, so I’ve basically been thinking about this for so long that it kind of feels like I was almost working the whole time.

But yeah, I finished “Twilight” like, six or seven months before maybe. It’s strange, I mean, it’s kind of — it feels like it was such a long time ago because we finished shooting ages ago, like two or three years ago. But yeah, it is interesting – you’re kind of like, “Oh, this is actually what you’re branching out doing now, this is what your career is and it’s actually kind of looking like something.” Whereas when I did each of the movies in between the “Twilight” movies it kind of reset every time. Every “Twilight” was so huge that it just overshadowed everything.

In this film you’re, to a degree, supporting Guy Pearce, and your role in “Maps to the Stars” is small, too. Are you backing away from leading-man roles?

Yeah. Well, for this I just really loved the part but a lot of the movies I’ve done that haven’t really come out yet — actually, no, I guess I’m playing the lead in the Corbijn movie. But even if it’s a lead, it’s not like the flashy role. I mean, in the movie I’m doing with Corbijn, it has James Dean in it and I’m the guy who’s photographing him. But it’s not like a part where I’m hiding away, but you’re sharing the burden a lot of the time. Stuff that appeals to me as a lead is so specific, and I kind of want to work with these directors just to go to the school, and so if I’m doing 10 days in a Werner Herzog movie, I can basically do any part.

I think there was a perception out there with “Cosmopolis,” in particular, that you were kind of consciously choosing to really take a part that was radically different from your persona. Does that enter your mind when you’re choosing parts?

No, because it’s not like – no, not really at all. I did this movie called “Bel Ami” — I mean, I was really young when I decided to do it as well. But I was thinking of it as kind of meta – there was a subtext to it. Where you have basically an entirely female audience from “Twilight,” and you play a part of a guy who’s basically like cheating women out of money, like, exclusively cheating them. And I thought that was kind of funny. I don’t think anyone really noticed the meta context of it.

Do you pay attention to how things are received?

Yeah, I understand. I don’t really know why. Because you do end up just thinking like, it doesn’t really matter. I’ve never had the experience where I’ve really hated a movie and it suddenly got great reviews. Maybe that would change my mind. But if you like something, the reviews mean nothing. The only person it really matters to is the filmmaker.

For some reason I feel kind of responsible if something is … even if it’s not singling out me, if something gets a bad review then I feel bad because I haven’t really had a bad experience on a movie. So I want to do my best to elevate them.

To a certain degree — probably less so now — you’re so closely identified with “Twilight.” Does that make it more of a leap of faith for a director to cast you because of preconceptions people have?

It kind of remains to be seen. I know that there’s definitely some kind of baggage, but I guess if it brings people into the cinema, which I’m not entirely sure if it does, then — but I don’t know. I think you end up fighting for all the parts you want anyway. I guess as I’m going further and further away from “Twilight,” the perception slowly becomes something else. Because I haven’t really tried to hit the same market again. Maybe because I don’t really know how to.

When you look at directors you want to work with, is there a list?

It’s kind of a list. I’m basically trying to go to acting school and film school by working with the best possible teachers, and also people who I grew up watching their movies. There are a few people who I really, specifically want to work with because of the performances they get out of their actors. I kind of feel like there’s something in me which is in that kind of ballpark. Like James Gray — I just loved all the stuff he did with Joaquin. And also just talking to James for years, I like his ideas about performance. And people like [“Rust and Bone” director] Jacques Audiard and stuff. But then there are other people like Herzog and Cronenberg; I never even thought I would be in any realm of possibility of getting a part with them. And then you’re suddenly doing it, it’s almost ridiculous. I’ll kind of do any part in any of their movies and just try and figure it out.

The moment in “The Rover” when you’re sitting in the truck and you’re calmly singing a Keri Hilson song ["Pretty Girl Rock"] just before a really violent moment — how did you get in the mind-set for that scene in particular? How long did it take to put that together?

I thought that was just going to be like a little inset shot because it was just briefly mentioned he’s singing along to the radio. And it’s this minute and half long shot, it’s absolutely crazy. A lot of what I was trying to do with the character the whole time is just playing someone who — it’s like someone with crazy ADD is just stuck between two decisions, constantly. Do you know on old TVs when you press down on two channels at the same time and you’re kind of in between? It’s his biggest and most pensive, deep moment. And really at the same time, he’s kind of not really thinking anything. He’s thinking everything and nothing at the same time. He’s almost empty.

How do you get to that place as an actor?

I kind of realized that how I was approaching parts in a kind of cerebral way and trying to analyze stuff is probably not the best way to do it. If you approach it more like music, which — “Cosmopolis” is the first time I’d done something in a very highly stylized dialect and then just started to listen to the rhythm and the cadence of it. It suddenly freed up something. You’re not really thinking and it’s just performing.

And you can approach almost any part just to kind of make it feel nice, like to perform it and then you’re suddenly like, Oh, this is way easier than trying to preempt every possible perception from the audience, from the other actor, and blah, blah, blah. And you can actually have fun doing it.

You’ve now several times played an American. What, if anything, is different there?

I don’t know, I’ve never really thought of it as actually specifically playing an American. I guess there are little elements of it, like — no, you kind of approach it the same way. I mean, I feel extremely uncomfortable playing English people, though. Even if I’m doing an English accent, I don’t even know how to do my normal accent, it just suddenly goes into this weird acting voice. And so I get incredibly self-conscious about it! So when I’m doing an American, it feels more like you’re in a movie.

I gathered that your character in “The Rover” was mean to be from the Southern U.S.

Yeah, the sort of migrant, seasonal laborer. It’s just like all the Chinese people moving to Africa now, it’s kind of the same thing. The Western economy has collapsed so you sort of just go anywhere where there’s any work.

Did you, the director and Guy know more than we, the audience, explicitly know about how the civilization collapsed and everything? Did you work that out together?

I think David and Guy do. Because I was there for three weeks before we started shooting, and I kept trying to push David on it and he was so unwilling to tell me anything. And I guess it makes sense for my character to not know anything; he just followed his brother there.

But I think one of the things that I liked about it so much is that the script — there were two scenes, the dialogue-heavy scenes with me and Guy. There was so much detail in them but it’s detail that doesn’t really pertain to anything else in the story. And then placed in the context of almost no dialogue whatsoever. I liked when it was completely uncompromising to the audience, it’s like, “No, this is a fully realized character and you can either run with it or not.”

It’s putting a lot of trust in the audience, in a way.

And I don’t think a lot of people do that. I think with this, and with “Cosmopolis” as well, it’s one of those — I like movies where you leave and you’re not supposed to know how you feel afterward, ever.

Source

AUDIO: Great interview with Robert Pattinson and David Cronenberg that will make you ProudMamaSteph

AUDIO: Great interview with Robert Pattinson and David Cronenberg that will make you ProudMamaSteph

This is another great one! The audio is dubbed but I could hear most of what Rob and David were saying. All the best bits. Transcript is below. Feel the pride, y'all!



Transcript of Rob and David's portion:

Rob:
I think it's kind of funny. I mean literally. I do weird movies and I like weird movies. And I just think it's kind of, all these, like people, the little girls screaming and then they're going to see The Rover. It's kind of hilarious.

David:
I'd like to take credit for this. And I've always thought he's a really, really, a very underrated actor and I thought he was extremely talented. So it just proves that my instinct that he was an actor who was a star before he had a chance to prove that he was a real actor. I mean it's like when he gave Rosette the Palme d'Or everyone told us this is terrible and then (?) so you feel your instinct was correct and that of course makes you feel really good.

Rob:
It's just someone believing in you. I mean, you kind of, someone who you really respect and it makes you think about yourself differently afterwards. And I was always quite ambitious when I was younger but after Cosmopolis you kind of feel different ambitions afterwards and you believe in yourself a little bit more.

Oh man....


Audio

NEW: David Cronenberg mentions Robert Pattinson, Maps To The Stars and being very proud and happy with Cosmopolis

NEW: David Cronenberg mentions Robert Pattinson, Maps To The Stars and being very proud and happy with Cosmopolis

We know Rob has hopped on a jet and is on his way to Cannes! The Hollywood Reporter listed Rob and the rest of the Maps To The Stars cast and crew in attendance at a festival party happening May 16th so we'll be keeping an eye out for the King of Cannes at that function and more.

David Cronenberg talked to The Hollywood Reporter and mentioned a conversation he had with Rob during Cosmopolis filming. The interview is a good read and I can't wait to see these two working the Cannes circuit together again.
 

Excerpt from The Hollywood Reporter:

You made Maps for a little more than $13 million. What is your approach to film financing?
Money can be neutral, and as long as the source of the money doesn’t involve giving up creative freedom, I don’t care where it comes from. In fact, I rather like that independent films are put together like Frankenstein: You get pieces from all over the world, and you stitch them together and hope it ends up being a living organism. That’s the financing. But creatively — obviously that’s one of the reasons you make independent films, for creative freedom. You don’t have studio interference. When I was making [2012’s] Cosmopolis, [Robert] Pattinson said to me, “I’ve never seen this before.” I said, “You’ve never seen what?” He said, “You just make all the decisions right here on the spot.” I said, “Yeah.” I mean, you don’t actually have to wait to get memos from the studio. He said he’d never been in a situation where the director did what he wanted, without consultation. I said: “You know, it’s just us making this movie. There’s no one else — there’s no Big Brother.”

David mentions Cosmopolis later in the interview and talks about how he's very proud of the film.

Older directors often lose their creative edge as their careers progress. At 71, you don’t seem to have that problem. Why?
It’s a matter of creative force and edge. Cosmopolis, which was not a successful film in terms of box office, for me was a really successful film in terms of pushing the envelope of filmmaking. So I’m really very proud and happy with that film. That’s the thing: I’ve never lost sight of why I’m making films. You can lose sight of it. When you get older, for me, you can even get choosier. If a film isn’t really exciting, if it’s just ordinary, there’s no way I’ll do it. I don’t need the money. Not that I’m rich, but I have enough to live on, and I don’t need to do a movie for money — and I don’t need to do a movie just to be doing a movie. It has to be something that really pushes my buttons, and Maps to the Stars did that. It took 10 years to get it made. The same was true of A Dangerous Method, and Crash as well. The more difficult, interesting films take 10 years to get made. Eventually I’m going to run out of time, but it takes a project like that to get me interested. So I’m not likely to make a boring film. 

David Cronenberg making a boring film — that would generate some scandal.That would be the bad kind of scandal, absolutely.

Click HERE to read the full interview

"Robert Pattinson Is A Fantastic Actor With Phenomenal Range" ~ Tom Ue (World Film Locations Author)

Back in February we told you about a publication called 'World Film Locations Toronto' By Tom Ue which featured none other than Robert Pattinson as Eric Packer on the cover.



Now, Tom has been interviewed by tribute.ca and was asked how he chose Rob and Cosmopolis to feature on the cover. Here's what he had to say (*whispers* I think you're gonna like it)

How did you choose Robert Pattinson/Cosmopolis for the cover?

Early in the production process, we knew we wanted to showcase David Cronenberg’s Cosmopolis both because it is a great Cronenberg film and because it emblemizes some of the key themes about identity and representation that the book explores. Robert Pattinson’s links to Canadian cinema and Toronto as a city are further realized through his starring in Cronenberg’s Maps to the Stars (2014) and Anton Corbijn’s Life (2015). He is a fantastic actor with phenomenal range.

Yes we agree with you 100% Tom. He IS a fantastic actor with phenomenal range! 

You can read the rest of Tom's interview over HERE

VIDEO: Robert Pattinson BTS of Cosmopolis with his Eric Packer mask on and his sweet post cut smile

VIDEO: Robert Pattinson BTS of Cosmopolis with his Eric Packer mask on and his sweet post cut smile

This video was posted last summer but given the low number of views, I'd wager the fandom didn't commandeer the vid back then. Besides, trips down Cosmopolis memory lane are always welcomed.


It was posted by TIFF and showcased in the David Cronenberg: Virtual Exhibit site:

Behind the Scenes: Cosmopolis: A Specter is Haunting the World
Much of Cosmopolis takes place in the back of Eric Packer’s (Robert Pattinson) limo, which has been cork lined—or “Prousted”—to block out the sounds of the external world. While the limo provides a very intimate setting for Eric and his occasional companions as they make their way through the streets of New York, more than 160 extras were employed as the mob of protestors running rampant outside of the car. This video takes a closer look at the sound design of this film, and the technical challenges of balancing the chaos of a crowd with the extreme quiet inside the limo.

A few pics were also included. Here's the one with Rob as Eric Packer:



Click HERE to read the transcript and see nonRob images from the featurette

I looooove seeing ActorRob. FeistyAngel made a gif of Rob in character and his sweet smile after the cut when Samantha Morton says, "Yay!" I can't take it.


Via: PattinsonArtWork | Gif: FeistyAngel

Robert Pattinson Smoulders As Eric Packer On The Cover Of 'World Film Locations Toronto'

Robert Pattinson is looking mighty fine as Eric Packer on the cover of 'World Film Locations Toronto' which is being published in April 2014.

It will be available to purchase HERE. Cosmopolis is featured in the book and Maps To The Stars & Life will be covered in the book’s next edition!
More info about the book below the pic........

128 pages | illustrated in color throughout | 6 x 9
 
Toronto is a changing city that has been a source of reflection and inspiration to writers and artists whose work focuses on the conditions and prospects of human life. A city on the move, it demands policies and regulation, and it offers the pleasures and perils of the massive and the anonymous. As a site of study, the city is inherently multidisciplinary, with natural ties to history, geography, sociology, architecture, art history, literature, and many other fields.

World Film Locations: Toronto explores and reveals the relationship between the city and cinema using a predominately visual approach. The juxtaposition of the images used in combination with insightful essays helps to demonstrate the role that the city has played in a number of hit films, including Cinderella Man, American Psycho, and X-Men and encourages the reader to frame an understanding of Toronto and the world around us. The contributors trace Toronto’s emergence as an international city and demonstrate the narrative interests that it has continued to inspire among filmmakers, both Canadian and international.

With support from experts in Canadian studies, the book’s selection of films successfully shows the many facets of Toronto and also provides insider’s access to a number of sites that are often left out of scholarship on Toronto in films, such as the Toronto International Film Festival. The 2014 release of this attractive volume will be a particularly welcome addition to the international celebrations of the city’s 180th anniversary.

Click for Larger



Thanks Tom for the email!

365 Days of Robert Pattinson: Dec. 8 ~ Fave career move by Rob so far

365 Days of Robert Pattinson: Dec. 8 ~ Fave career move by Rob so far

Rob's made some awesome professional choices and we want to celebrate them!


Kate:
"I’ve spent all day trying to decide and I CAN’T so I’m cheating! Obviously DiorRob is up there at the top BUT working with David Cronenberg in Cosmopolis is right up there too. David believed in him and saw his potential and (I feel) because of that it has lead to so many other great acting opportunities. David gave Rob the confidence he needed to see how great he could be. So yeap while Dior is seriously major, working with David is something that I think was a fantastic career move too. SO i’m picking both ;}"




Tink:
"no contest for me. being a part of this was my fave career move by Rob. his talent shines shines shines in this film."

Kat:
"I initially couldn’t decide between Water for Elephants and Cosmopolis, then realized chances are high that neither of those would’ve existed without the role that catapulted Rob to fame. Mr. Edward Cullen. So, I have to make that my fave. However, DiorRob comes a VERY close second. But again… there likely wouldn’t be a DiorRob without a RobWard."

If you post your 365DoR links in the comments, give us time to approve them so the DR can see :) 

Click for HQ!