Showing posts with label New interviews rock my world. Show all posts
Showing posts with label New interviews rock my world. Show all posts

NEW INTERVIEW: Robert Pattinson - "I feel more confident now but want to keep improving and evolving"

NEW INTERVIEW: Robert Pattinson - "I feel more confident now but want to keep improving and evolving"

As thoughtful as ever. You'll enjoy this interview with Rob reflecting on his craft, himself, and the film, Life.

imgboxYahoo Singapore, Robert Pattinson, "I had a lack of self belief": EN Interview 1 - Ever since the Twilight films turned him into an object of mass attention, Robert Pattinson has tried to find his way clear of fan obsession and make his mark as a serious actor. Films like Cosmopolis and Bel Ami helped distance audiences from his vampire alter ego, and now, in Anton Corbijn's Life, Pattinson gives what is arguably the best performance of his career. The 28-year-old heartthrob plays Dennis Stock, the photographer whose iconic photos of James Dean during the last months of his life have sustained the actor's legend even more than his films.

"James Dean is very much an iconic figure to me," Pattinson says. "He represents disaffected youth and alienation in a powerful way that still resonates with us. Those photos of Dean, like the one where he is walking in Times Square, are much more part of our image and impression of him than his films. You can feel his aura and mystique in those photos."

It was an ironic choice of roles for Pattinson who was able to experience what life is like on the other side of the camera lens: "When you're on the red carpet, it's an eerie experience because you don't see the photographers because you're blinded by the lights and flashes most of the time! As a photographer, you get to hide behind your camera."

One of the hottest films at the recently concluded Berlin International Film Festival, LIFE explores the parallel lives of James Dean - played by Dane DeHaan - and Dennis Stock (Pattinson) while the latter was on a road trip taking photos of Dean as part of an assignment for Life Magazine, one of the most popular magazines of its era. The photos subsequently became the stuff of legend and posters that young people would put on their walls as a symbol of youthful rebellion and cool.

Pattinson not only understood something of how James Dean must have felt when his career skyrocketed within a very short time in Hollywood, but also how today's stars - Pattinson included - are so overexposed that they lose all mystery.

"People didn't know that much about Dean's private life and those photos that Stock took of him had so much more impact and meaning than anything you could imagine today," Pattinson muses about the work of the photographer who passed away in 2010.

For director Anton Corbijn, the film also has a deeper meaning in that before he became better known as a filmmaker, he achieved considerable fame for his NME photo shoot of Joy Division frontman Ian Curtis shortly before he hung himself. Like Stock did with his photos of Dean, The images of Curtis taken by Corbijn have in their own way amplified the legend of the fabled singer and Corbijn subsequently directed the film Control which depicted Curtis's dark and difficult life.

Wearing a fairly lush beard and looking pleasantly disheveled, Robert Pattison was greeted by adoring crowds during his stay at the Berlin festival. He was wearing a grey Armani jacket and jeans for our chat at the five-star Hotel de Rome.

In addition to Life, audiences will see Pattinson play Col. T.E. Lawrence in Queen of the Desert, a film starring Nicole Kidman and directed by Werner Herzog.
THE INTERVIEW
Q: Robert, it must have been inspiring to play an iconic photographer like Dennis Stock?  
PATTINSON: His photos have played a huge part of our collective consciousness of James Dean and the myth that still surrounds him 55 years after his death. Almost everyone has seen some of those photos and so many people including myself have been influenced by our image and perception of Dean and how he represents disaffected youth. Dean is still one of the key figures who represent a kind of defiance and rebellion and someone who felt the confusion of being young and not wanting to conform or stick to the rules. There are very few photographers who have been able to capture that kind of mystique the way Dennis Stock did. 
Q: How did you relate to Dennis Stock and his work as a photographer?  
PATTINSON: What fascinated me was that he was an artist who was struggling with living up to his own expectations of what he should be doing as an artist. He doesn't feel he's accomplishing enough or doing the kind of work he wants to be doing. I've spent a long time dealing with the same kind of issues and trying to attain goals that I've set for myself and wanting to do the best work possible. I'm still very driven to do work that challenges me. 
Q: Did you go through a James Dean phase in your younger days?  
PATTINSON: (Laughs) I think almost every actor has a moment in their live when they are either obsessing over James Dean or trying to imitate some aspect of his personality or his acting style. I was a fan of his even before I wanted to become an actor. We all want to look as cool as he did although it's pretty much impossible! (Laughs) I admire his work greatly although I don't think I'm anything like him and I wouldn't dare to compare myself to him. 
Q: Would you have wanted to play Dean yourself?  
PATTINSON: No! I wouldn't have dared. And I think Dane (DeHaan) does a brilliant job. 
Q: What kind of research did you do to prepare for the film?  
PATTINSON: Anton (Corbijn) showed me a taped interview with Dennis Stock in which he was very rude to the interviewer. He was always a very complex figure and he had a lot of anger inside because he was very ambitious and wanted to make his mark as an artist. He was very jealous of other artists.
I also spent several months learning to use a camera and work with cameras the way a professional photographer would use them. I took a lot of photos and practiced the kind of movements a photographer makes while working. For a photographer, the camera is basically an extension of his body and he hides behind it while he's taking photos.
 
Q: Dennis Stock was very conflicted about his work. Were you the same way?  
PATTINSON: I've suffered from a lack of self-belief. You worry that you're just faking it and people will start to see through you. So that fear keeps me going and inspires me to take on as many challenges as I can. I was making things much more difficult for myself by constantly worrying about my work and then I started to realise that I just had to simplify my approach and let my instincts take over. I feel a lot more confident now but I still have enough doubts that make me want to keep improving and evolving as an individual and as an actor. 
Q: This kind of movie addresses the issue of celebrity and how an actor becomes larger than life. You've experienced that with your work as Edward Cullen in the Twilight films. How have you transitioned past that part of your career? 
PATTINSON: It's become a lot easier as the years have gone on. It's not just that it's been a few years since the last Twilight, it's also that I've become a lot better at handling the attention.
One of the interesting things about the film is that it deals with how someone like Stock can block himself and stand in his own way because of his fears and jealousies. He wanted to be seen as an artist in the same way that Dean was and this was a complex issue for him. I've also dealt with my own anxieties in terms of what I wanted to achieve and my own artistic goals.
 
Q: How do you feel that process is coming along? 
PATTINSON: I feel like I'm where I want to be. I don't feel frustrated anymore by the legacy of Twilight and the fact that I've been identified with my work in those films. I knew that it was going to take some time before people would be able to see me in a different way and that I would have to play a lot of different roles to shake up people's expectations of me. It's normal because of the massive success of those films. But in the long run I've tried to benefit from the attention I gained and find as many interesting roles as I can. I think people are beginning to see me differently now. 
Q: Has there been any one film in particular that's helped you feel that you're on the right track in terms of your career? 
PATTINSON: I was kind of drifting and unsure of what kinds of films I wanted to do until I did Cosmopolis with David Cronenberg. He offered me the role out of nowhere just a few weeks after I had finished the last Twilight film and suddenly I was thrown into this incredible story and playing a very complicated character. That changed my perspective and I knew that this was the kind of work that I wanted to do. It made a huge difference to me. 
Q: Is it easier being Robert Patttinson now? 
PATTINSON: (Laughs) I don't know... but I'm having a lot more fun now. You need to get past all the things that are holding you back and then everything starts becoming a lot easier in general.

NEW PICS: Robert Pattinson Being Interviewed By 'Scoop By Raya' At The 'Life' Press Junket

NEW PICS: Robert Pattinson Being Interviewed By 'Scoop By Raya' At The 'Life' Press Junket

It looks like this interview with Rob has aired so hopefully we'll have video of it for you soon. Until then check out these cute pics.

Hello Mr Sexy Boots

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And lucky Raya got a hug!

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I want a Rob hug tooooooo

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Click for full size

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Source
Thanks Nancy!

VIDEO: Robert Pattinson Talks About Dennis Stock, His Career & More In A NEW Interview With Einsplus

VIDEO: Robert Pattinson Talks About Dennis Stock, His Career & More In A NEW Interview With Einsplus

Ooooh 6 mins of Rob, just what I need!


Thanks Bru!

NEW Interview: Robert Pattinson Talks New Projects, Fifty Shades Of Grey & More

NEW Interview: Robert Pattinson Talks New Projects, Fifty Shades Of Grey & More

This is a great interview with Rob(& no translating required!) He talks about future projects (Brimstone), mentions Fifty shades of Grey and beng more productive. Grab a cuppa and have a read!

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Robert Pattinson, who is at the Berlin film festival with Anton Corbijn’s ‘Life’ explains why he can’t sit through premiere screenings and talks about his past, his future and his connection to ‘Fifty Shades of Grey’

BERLIN, GERMANY (FEBRUARY 9, 2015) (REUTERS) – It was the morning after the night before for British actor Robert Pattinson as he attended a press junket on Tuesday (February 10) after he launched his new movie, Anton Corbijn’s ‘Life’ at the Berlin film festival.

However, unlike the other people on the red carpet, Pattinson didn’t sit through the screening of the film.

“I actually didn’t watch it last night,” he admitted.

“Because after Cannes I literally I got so…I feel like I lost a few years of my life watching a screening, just sitting there with your heart just wrenching inside your chest. I just can’t do it anymore so I’m going to watch it like, probably tomorrow. So yeah, I don’t know what the reaction is. I’m just kind of, in a trance the entire time, but yeah, it seemed like people appreciated it. There was a nice applause and stuff.”

Pattinson first came to public attention playing the ill-fated Cedric Diggory in ‘Harry Potter and the Goblet of Fire’ in 2005. However, it was in 2008 that he exploded on the scene playing Edward Cullen in ‘Twilight’.

Asked whether he had any idea what the reality of fame was going to be like before ‘Twilight’, he replied:

“I don’t know what I thought it was going to be. I mean, it’s weird, I still feel like I’m doing the same stuff. I mean, I guess up until ‘Twilight’ I was really just auditioning for absolutely everything and just trying to get anything so I guess that’s a sort of different career but I mean, afterwards it’s so rare that I find anything that not only that I like but that I feel like I can add something to or do at all, so it’s really trying to find anything to do.”

“It always surprises me when a script comes and I’m like, “oh!”. I just signed onto this thing ‘Brimstone’ – it’s just a small part in something but I was so surprised that this part that…Like I really, really had an idea of how to do it and I’m always like ‘Oh, where has this idea come from?’ I’m always surprised that I had any idea at all so yeah, it’s kind of a strange career,” he added.

The next big film after Pattinson’s ‘Life’ at the Berlin film festival will be the world premiere of ‘Fifty Shades of Grey’, starring Jamie Dornan. Strangely, the author of the bestseller is reported to have based the book on the film ‘Twilight’, and therefore cult hero Christian Grey is based on Pattinson’s portrayal of the vampire Edward Cullen.

“It’s kind of weird and also I know Jamie really, I’ve known Jamie for about ten years, as well, so… I mean, I think… I haven’t actually read the book but like, I think it must be very, very different. I don’t see how it can work if it’s not different. It’s amazing, it’s that fan base. She…They’ve…There’s some kind of profound connection that a bunch of people have to it and I’ve never figured out, you know, quite what it is. But you can see this, even at the premiere last night this woman that has been coming for years to premieres and stuff. It’s just very strange,” Pattinson said.

Pattinson has been a regular at European film festivals over the past few years, choosing roles which are far removed from Edward Cullen in ‘Twilight’. However, while the ‘Twilight’ fan base is still there and in Berlin girls camped out from early in the morning of the premiere to try and meet their idol, Pattinson said it has “calmed down”.

“I used to be, I used to just let it really, really get to me and I’ve kind of become a lot more calm recently. Also, I’ve spent more time in London and it’s completely different in London. It’s like, if someone asks for a photo in London and you say ‘no’, it’s not like…. A lot of the time, in L.A. especially, people are like ‘Why?’, you know, like: ‘Really? You want me to explain why? I’ll just do a photo, then.’ In London, people don’t really so it’s kind of different but yeah, it definitely has calmed down,” he said.

Although he didn’t want to comment on where he would be in ten years time, he did admit:

“[I]n the next few years I know just after last year like two of my movies kind of, one fell apart and the other one got pushed to this year and I ended up like, kind of just waiting for a job for ages and I was just like, ‘okay, I need to be, I’m never having a year like that again. I’m going to be a lot more prolific in my productivity rate’. Cause I think it’s suddenly getting up to 30 as well and you’re just like ‘argh! I need to do loads of stuff!’ So I’m definitely going to be much more productive.”

‘Life’ was screening at the Berlin film festival as part of the Berlinale Special selection.

Source
Thanks Sallyvg & PJ

NEW INTERVIEW: Robert Pattinson Talks To RBB At The Berlin Film Festival

NEW INTERVIEW: Robert Pattinson Talks To RBB At The Berlin Film Festival

Rob is doing interviews this morning in Berlin ahead of the Life Photocall, Press Conference and Premiere later today. And here's one of the first interviews out from RBB.

The translation has been updated with a better version. Happy reading!

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I´m exactly where I want to be

Even after two Cronenberg-movies many still doubt the acting skills of Twilight-star Robert Pattinson. On Monday he presents his latest movie “Life” at Berlinale – together with director Anton Corbijn. In this interview the former vampire-star explains how he connected with the movie and why he feels his career is in a good place.

Q: Mr. Pattinson, is James Dean still an icon to your generation?
RP: Definitely. Especially when I was young. I knew James Dean before I even knew I wanted to act. I had read many of his interviews. He was style-defining and has an influence on every actor, simply through his physicality. Anyone who´s leaning forward, trying to look cool, is copying James Dean, really (laughs)

NEW 12 Min Audio Interview With Robert Pattinson

NEW 12 Min Audio Interview With Robert Pattinson

Rob talks Maps To The Stars & MORE to Richard Crouse in this great audio interview
Just close your eyes and listen to his voice.

NEW Interview: "I Like Working Pretty Much More Than Anything Else In My Life. My Job Is My Hobby" ~Robert Pattinson

NEW Interview: "I Like Working Pretty Much More Than Anything Else In My Life. My Job Is My Hobby" ~Robert Pattinson  

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Rob talks about working on The Rover & Life and also his hobbies, career & life in LA with TheVent in this New Interview. (It sounds like the interview was done at Cannes).

It's a good read. Enjoy!
Filming The Rover in a remote part of south Australia with cast and crew all staying in a local pub was just about perfect, says Robert Pattinson. The filmmakers all mucked in together, braved filming in soaring temperatures, and at night bonded over a drink or two. Pattinson wouldn’t have had it any other way and says that it helped director David Michôd and his cast and crew build an unbreakable bond.

“It was amazing,” he says. “Because the whole crew was staying in the same place and there was nothing else to do, we were living in a pub. It’s annoying if you’re in an unfamiliar city and all the people you work with are from that city, they all go home, so you’re just stuck in your hotel.

“When you can hang out with a bunch of new people, you get close to them really quickly, especially when there’s literally nothing else to do. It’s really fun. I hadn’t done that for a long time. I had a fantastic experience making this film.”

Pattinson was born and raised in London and started his professional career as a 16 year old in the TV film Ring of the Nibelungs. A year later, he played Cedric Diggory in Harry Potter and the Goblet of Fire. He starred in five, hugely successful Twilight films and his other film credits include Bel Ami and Cosmopolis.

Q: How’s it going?

“I always forget in the evening that I’ve got to do a bunch of interviews in the morning, so I stay out all night (laughs). It’s horrible!”

Q: How was shooting in rural Australia?

“For me it was really fun. It was kind of relaxing. I loved shooting out there. There was no pressure, and no one around.”

Q: Was it a relief getting away from people?

“Yeah, just in terms of performance. I like doing little things before a take, sort of staying in character a little bit, and if you’ve got a bunch of people trying to take pictures of you doing a stupid face or something, then you’ve just constantly got it in your head, and you’re never really quite in what you want to do. Out there you can kind of do anything you want. They might think you’re a weirdo, this guy doing all this weird stuff (laughs), but it was quite freeing.”

Q: Did you enjoy playing a less beautiful character?
“Yeah, I mean it takes away constraints. If someone’s saying, ‘You’ve got to look pretty!’ for one thing you feel like a bit of an idiot, because you’re a guy, and then you’re kind of thinking about stuff that really doesn’t mean anything – you’re just posing. As soon as you take away the allowance for your own vanity, then it’s kind of a relief.”

Q: How would you describe the themes of The Rover?

“I think it’s just a story about survivors. I think they’re quite simple people in extraordinary circumstances. They’re trying to figure out how to live when it seems like there’s not a lot of hope. It seems like there’s nothing to do tomorrow, so what are you supposed to do at any point during your day? Even the gang I’m in, they’re stealing money and there’s nothing to use the money for at all (laughs). Eric [Guy Pearce] says, ‘It’s worthless, it’s just paper.’ It’s very difficult to know why to keep living if everything seems totally worthless, and yet people do.”

NEW: Robert Pattinson - "I like movies where you leave and you’re not supposed to know how you feel afterward, ever"

NEW: Robert Pattinson - "I like movies where you leave and you’re not supposed to know how you feel afterward, ever"  

Rob sat down with Salon and talked about The Rover, his career and choices, his English accent, and sooooo much more! Another great print interview with Rob :))

From Salon:

image hostHe’s been trying to shed Edward Cullen for years — and now he may finally have done it.

Robert Pattinson rose to megafame playing Cullen, a lovelorn vampire, in the “Twilight” series, but has in his off-dury hours been trying to become something more interesting than a leading man. After the period piece “Bel Ami” and the romantic dramas “Remember Me” and “Water for Elephants” didn’t connect, Pattinson has styled himself as a versatile supporting actor. In David Cronenberg’s “Cosmopolis,” Pattinson, perpetually picking up new visitors in his limousine, was nominally the lead but was willing to cede the role of most interesting person on-screen to just about anyone who crossed his path; in Cronenberg’s forthcoming “Maps to the Stars,” Pattinson plays the limo driver.

And in David Michôd’s new film “The Rover,” Pattinson makes his greatest departure yet, playing a mentally challenged vagrant who’s migrated to a post-apocalyptic Australia and finds himself on a quest to help Guy Pearce find his car. It’s the sort of role that at a different time of year, and in a tonier, more tasteful sort of film, ends up in Oscar conversations: Pattinson has mottled brown teeth and a thick Southern accent. If this sounds like a way for Pattinson to finally shed the constraints of his leading-man roles, it is — but it’s clear that Pattinson is having fun while doing it.

He seemed open and relaxed in his standard white T-shirt when we met at New York’s Bowery Hotel, where he chugged sparkling water between answers. He spoke freely about what’s next up — including James Gray’s “Lost City of Z” adaptation and “Life,” a James Dean biopic by Anton Corbijn. Spoiler alert: Pattinson is not playing Dean.

When you go for weeks at a time promoting something, are there questions you’re repeatedly asked that you’re tired of answering?

Well, I can never remember what I’m asked. But I kept getting asked about flies in the outback, because I’d mentioned one time in the very first interview I did, “Oh, there’s loads of flies there — it’s really crazy.” And when interviewers will ask you again, I’m like, “Surely, surely you’ve seen this. Yes, there are a lot of flies.” And they just keep asking. What do I say? “Oh, actually flies are amazing; it was the best part of all of it.”

I feel like there’s only so much you can say about flies.

Which is absolutely nothing.

So you started filming last year – take me through a little bit of your state of mind. You must have been feeling pretty free in some sense, now that the “Twilight” franchise is completely over.

I got the part about eight or nine months before we started shooting it. And then I was supposed to shoot another movie before I ended up doing it. And I did “Maps to the Stars” as well, just a little part. I was going to do another lead role and then it got pushed, so I’ve basically been thinking about this for so long that it kind of feels like I was almost working the whole time.

But yeah, I finished “Twilight” like, six or seven months before maybe. It’s strange, I mean, it’s kind of — it feels like it was such a long time ago because we finished shooting ages ago, like two or three years ago. But yeah, it is interesting – you’re kind of like, “Oh, this is actually what you’re branching out doing now, this is what your career is and it’s actually kind of looking like something.” Whereas when I did each of the movies in between the “Twilight” movies it kind of reset every time. Every “Twilight” was so huge that it just overshadowed everything.

In this film you’re, to a degree, supporting Guy Pearce, and your role in “Maps to the Stars” is small, too. Are you backing away from leading-man roles?

Yeah. Well, for this I just really loved the part but a lot of the movies I’ve done that haven’t really come out yet — actually, no, I guess I’m playing the lead in the Corbijn movie. But even if it’s a lead, it’s not like the flashy role. I mean, in the movie I’m doing with Corbijn, it has James Dean in it and I’m the guy who’s photographing him. But it’s not like a part where I’m hiding away, but you’re sharing the burden a lot of the time. Stuff that appeals to me as a lead is so specific, and I kind of want to work with these directors just to go to the school, and so if I’m doing 10 days in a Werner Herzog movie, I can basically do any part.

I think there was a perception out there with “Cosmopolis,” in particular, that you were kind of consciously choosing to really take a part that was radically different from your persona. Does that enter your mind when you’re choosing parts?

No, because it’s not like – no, not really at all. I did this movie called “Bel Ami” — I mean, I was really young when I decided to do it as well. But I was thinking of it as kind of meta – there was a subtext to it. Where you have basically an entirely female audience from “Twilight,” and you play a part of a guy who’s basically like cheating women out of money, like, exclusively cheating them. And I thought that was kind of funny. I don’t think anyone really noticed the meta context of it.

Do you pay attention to how things are received?

Yeah, I understand. I don’t really know why. Because you do end up just thinking like, it doesn’t really matter. I’ve never had the experience where I’ve really hated a movie and it suddenly got great reviews. Maybe that would change my mind. But if you like something, the reviews mean nothing. The only person it really matters to is the filmmaker.

For some reason I feel kind of responsible if something is … even if it’s not singling out me, if something gets a bad review then I feel bad because I haven’t really had a bad experience on a movie. So I want to do my best to elevate them.

To a certain degree — probably less so now — you’re so closely identified with “Twilight.” Does that make it more of a leap of faith for a director to cast you because of preconceptions people have?

It kind of remains to be seen. I know that there’s definitely some kind of baggage, but I guess if it brings people into the cinema, which I’m not entirely sure if it does, then — but I don’t know. I think you end up fighting for all the parts you want anyway. I guess as I’m going further and further away from “Twilight,” the perception slowly becomes something else. Because I haven’t really tried to hit the same market again. Maybe because I don’t really know how to.

When you look at directors you want to work with, is there a list?

It’s kind of a list. I’m basically trying to go to acting school and film school by working with the best possible teachers, and also people who I grew up watching their movies. There are a few people who I really, specifically want to work with because of the performances they get out of their actors. I kind of feel like there’s something in me which is in that kind of ballpark. Like James Gray — I just loved all the stuff he did with Joaquin. And also just talking to James for years, I like his ideas about performance. And people like [“Rust and Bone” director] Jacques Audiard and stuff. But then there are other people like Herzog and Cronenberg; I never even thought I would be in any realm of possibility of getting a part with them. And then you’re suddenly doing it, it’s almost ridiculous. I’ll kind of do any part in any of their movies and just try and figure it out.

The moment in “The Rover” when you’re sitting in the truck and you’re calmly singing a Keri Hilson song ["Pretty Girl Rock"] just before a really violent moment — how did you get in the mind-set for that scene in particular? How long did it take to put that together?

I thought that was just going to be like a little inset shot because it was just briefly mentioned he’s singing along to the radio. And it’s this minute and half long shot, it’s absolutely crazy. A lot of what I was trying to do with the character the whole time is just playing someone who — it’s like someone with crazy ADD is just stuck between two decisions, constantly. Do you know on old TVs when you press down on two channels at the same time and you’re kind of in between? It’s his biggest and most pensive, deep moment. And really at the same time, he’s kind of not really thinking anything. He’s thinking everything and nothing at the same time. He’s almost empty.

How do you get to that place as an actor?

I kind of realized that how I was approaching parts in a kind of cerebral way and trying to analyze stuff is probably not the best way to do it. If you approach it more like music, which — “Cosmopolis” is the first time I’d done something in a very highly stylized dialect and then just started to listen to the rhythm and the cadence of it. It suddenly freed up something. You’re not really thinking and it’s just performing.

And you can approach almost any part just to kind of make it feel nice, like to perform it and then you’re suddenly like, Oh, this is way easier than trying to preempt every possible perception from the audience, from the other actor, and blah, blah, blah. And you can actually have fun doing it.

You’ve now several times played an American. What, if anything, is different there?

I don’t know, I’ve never really thought of it as actually specifically playing an American. I guess there are little elements of it, like — no, you kind of approach it the same way. I mean, I feel extremely uncomfortable playing English people, though. Even if I’m doing an English accent, I don’t even know how to do my normal accent, it just suddenly goes into this weird acting voice. And so I get incredibly self-conscious about it! So when I’m doing an American, it feels more like you’re in a movie.

I gathered that your character in “The Rover” was mean to be from the Southern U.S.

Yeah, the sort of migrant, seasonal laborer. It’s just like all the Chinese people moving to Africa now, it’s kind of the same thing. The Western economy has collapsed so you sort of just go anywhere where there’s any work.

Did you, the director and Guy know more than we, the audience, explicitly know about how the civilization collapsed and everything? Did you work that out together?

I think David and Guy do. Because I was there for three weeks before we started shooting, and I kept trying to push David on it and he was so unwilling to tell me anything. And I guess it makes sense for my character to not know anything; he just followed his brother there.

But I think one of the things that I liked about it so much is that the script — there were two scenes, the dialogue-heavy scenes with me and Guy. There was so much detail in them but it’s detail that doesn’t really pertain to anything else in the story. And then placed in the context of almost no dialogue whatsoever. I liked when it was completely uncompromising to the audience, it’s like, “No, this is a fully realized character and you can either run with it or not.”

It’s putting a lot of trust in the audience, in a way.

And I don’t think a lot of people do that. I think with this, and with “Cosmopolis” as well, it’s one of those — I like movies where you leave and you’re not supposed to know how you feel afterward, ever.

Source

VIDEOS: Robert Pattinson talks about Rey's messy internal struggle, loving a shaved head, loner roles and more!

VIDEOS: Robert Pattinson talks about Rey's messy internal struggle, loving a shaved head, loner roles and more!

Another batch of press videos for The Rover!

I really liked this press junket video. It's longer than most and isn't as repetitive. Guy and Rob give some great insight into the film.
Rob: "My character is going through a messy internal struggle...there's definitely something bubbling up inside him."



Rob: "It's an extremely unusual movie in a lot of ways so it's nice people have reacted to it they way they have." "I've always loved shaving my head. It's the nicest feeling in the world."

Dallas News | myFOXdfw.com


Rob: "I sort of gravitate towards kind of loner roles."


LA Premiere - Rob: "I knew I wanted to something with my body more. I normally play parts that are quite still."

VIDEOS: More fantastic interviews with Robert Pattinson, David Michôd and Guy Pearce for The Rover LA press junket

VIDEOS: More fantastic interviews with Robert Pattinson, David Michôd and Guy Pearce for The Rover LA press junket

Andrew Freund
Rob: "I'm very good at just sitting around doing nothing."



We Got This Covered
Rob: "I feel like Rey feels he's been adopted from the beginning. He's never been kidnapped."


JoBlo
Rob: "I instinctively felt something."



E! interviews
Rob: "I've always loved that first feeling when you shave your head and go into the shower for the first time, it's one of the most incredible experiences." "I actually love that show [Swamp Wars]."

Robert Pattinson, Guy Pearce and David Michod On Rencontres de Cinéma Special + NEW CLIPS from The Rover!

Robert Pattinson, Guy Pearce and David Michod On Rencontres de Cinéma Special + NEW CLIPS from The Rover!

It's too bad this interview is dubbed but we have the transcript below for you guys and it's still a fantastic way to spend 20 minutes. PLUS, there are NEW CLIPS! Oh ReyRob...you're gonna kill us....



Just the new clips (on You Tube)









Transcript After The Cut

NEW PICS & INTERVIEW: Robert Pattinson In 'The Hollywood Reporter'

UPDATE: If you'd like to purchase The Hollywood Reporter, click HERE to buy your copy!

We saw Robert Pattinson on the cover of The Hollywood Reporter last night HERE, NOW we have MORE pics and the interview!!

Someone call 911 for me please!

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Click for LARGE

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Want MORE pics? Head over HERE for more
 Interview After The Cut 

VIDEO: 'Scoop With Raya' Talks To Robert Pattinson At Cannes

VIDEO: 'Scoop With Raya' Talks To Robert Pattinson At Cannes

Rob tells Raya what he likes about Cannes, things after Twilight, what motivates his movie choices and the directors he's working with in the future.

Oh and nice try Rob but I don't believe a word of the 'No one recognises me'.

Click below to watch. It's a super cute interview.

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ET Canada Have A New Interview With Robert Pattinson On Their Show Tonight

ET Canada have an exclusive interview with Robert Pattinson tonight on their show, they'll also have an interview with David Cronenberg.

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They shared some of what we have to look forward to on their site:

Few things in life are as nerve-wracking as auditioning for a movie role. Even for Robert Pattinson, one of the most successful and popular actors in the world, auditioning for a role can be an almost unbearably stressful experience. To get the lead role in The Rover, for instance, Pattinson had to audition in front of director David Michod (Animal Kingdom), and by his own estimation, the audition did not go well.

"I'm so bad at auditioning, and I was terrified that I wasn't going to get it," Pattinson tells ET Canada exclusively. "I really, really fought for it."

What made Pattinson—an actor with no shortage of scripts coming his way—fight so hard for this particular role? As Pattinson explained, the role of Reynolds (a naive, simple-minded drifter) was simply too good to pass up.

"It's a character that doesn't really have any constraints," he said. "It's not really specified where he's from or what his desires are or even his mental state and I felt really relaxed doing it because you could just do whatever you wanted, basically."

Unlike during his audition, Pattinson was completely at ease playing the character during filming—an experience which the Twilight star says was a first. "It felt for a second that I knew what I was doing because I just sort of fell into acting and I never really felt like that before," he said.
Thanks Clara

*NEW* Robert Pattinson Talks To Les InRocks TV About The Area Where The Rover Is Set

*NEW* Robert Pattinson Talks To Les InRocks TV About The Area Where The Rover Is Set

Really short snippet where Rob talks about the desert area used for filming The Rover.
Starts around the 1:54 mark.


Ciné Séries & Cie Interview Robert Pattinson, Guy Pearce & David Michod

Ciné Séries & Cie Interview Robert Pattinson, Guy Pearce & David Michod

Great Interview with the threesome. It starts around the 1:23 mark.

AUDIO: Great interview with Robert Pattinson and David Cronenberg that will make you ProudMamaSteph

AUDIO: Great interview with Robert Pattinson and David Cronenberg that will make you ProudMamaSteph

This is another great one! The audio is dubbed but I could hear most of what Rob and David were saying. All the best bits. Transcript is below. Feel the pride, y'all!



Transcript of Rob and David's portion:

 photo Robenberg-1.gifRob:
I think it's kind of funny. I mean literally. I do weird movies and I like weird movies. And I just think it's kind of, all these, like people, the little girls screaming and then they're going to see The Rover. It's kind of hilarious.

David:
I'd like to take credit for this. And I've always thought he's a really, really, a very underrated actor and I thought he was extremely talented. So it just proves that my instinct that he was an actor who was a star before he had a chance to prove that he was a real actor. I mean it's like when he gave Rosette the Palme d'Or everyone told us this is terrible and then (?) so you feel your instinct was correct and that of course makes you feel really good.

Rob:
It's just someone believing in you. I mean, you kind of, someone who you really respect and it makes you think about yourself differently afterwards. And I was always quite ambitious when I was younger but after Cosmopolis you kind of feel different ambitions afterwards and you believe in yourself a little bit more.

Oh man....
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Audio

Robert Pattinson talks to USA Today: Cannes "is the best place to promote movies"

Robert Pattinson talks to USA Today: Cannes "is the best place to promote movies"

Another new interview!!! I love when PromoRob is here. :))

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From USA Today:
CANNES, France — Robert Pattinson has terrible, rotted teeth and is caked in dirt for his leading role in The Rover. The star could not be happier with the transformation after years of being a heart throb in the Twilight films.

"I am trying to eliminate any bit of vanity," says Pattinson of his grimed up role. "I want to avoid any opportunity to pose (for the camera). Or whatever. Because if you get that opportunity to pose, you will probably take it."

The results have been impressive. Pattinson has earned some of the best reviews of his career in the David Michod film, which premiered at the Cannes Film Festival and opens in the USA June 13.

The post-apocolyptic story features a grimy Pattinson joining up with a former soldier (Guy Pearce) who is trying to get back his last precious possession on Earth — his stolen car.

The unglamorous lead role, along with a supporting role in David Cronenberg's film A Map to the Stars, has earned Pattinson a return trip to the Cannes festival which he attended for the first time in 2012 (with Cronenberg's Cosmopolis).

Pattinson says the 2012 trip set in motion a game plan to return to Cannes as much as possible.

"I decided right then I wanted to get every film into Cannes. It was something I have been specifically aiming for, 100%," says Pattinson. "It's just the best place to promote movies and this festival has this cachet."

In Cannes 2012, the press conference monitor had to warn journalists before Pattinson took to the stage that he would not entertain questions about vampires.

This year, Pattinson seems to have finally gotten past that. He feels like a fixture at Cannes rather than a novelty. The word Twilight was not even mentioned in his press appearances, even if one Japanese television reporter asked Pattinson to simply say something to his fans back in Japan during a press conference (it was awkward).

"It's strange. I have a disassociation now. It's odd to live that same life," says Pattinson of his Twilight past. "But I have always had that disassociation. I've never understood the crowds screaming. This is a job."

The Rover also gave Pattinson the distinct advantage of being deep in the Australian Outback, where Pattinson was able to shoot a movie outdoors without fear of paparazzi jumping out of bushes.

"So there wasn't some jackass trying to get a picture of me making a stupid face," says Pattinson. "We were in a town of 50 people. They wouldn't know who to sell a picture to even if they wanted to."

He says the freedom allowed him to feel completely at ease out in the open and aided his performance. "It changed the whole way I worked completely," says Pattinson. "It was totally losing self-consciousness. It was like working underwater. It was nice."

He talks excitedly about working with director Olivier Assayas on their next, untitled film.

"His stuff always gets into Cannes and it's such a great script," says Pattinson. "But I don't want to speak too soon."

NEW Interview: Robert Pattinson Talks To Le Nouvel Observateur

UPDATE: You Tube Added
NEW Interview: Robert Pattinson Talks To Le Nouvel Observateur

And praise the Lord, they're not dubbed!
Rob talks about working with Olivier Assayas in November and gives us a name for the movie!


Originals After The Cut

Robert Pattinson talks about wanting to work with directors, Quentin Tarantino and Jacques Audiard

Robert Pattinson talks about wanting to work with directors, Quentin Tarantino and Jacques Audiard

 photo 7bdef5c0-c37d-445e-b193-e128de27b20f.jpg From europe1 (translated with Reverso with minor editing by us. They had Rob as an American actor...OK):
CANNES - The actor pursues his metamorphosis by deviating from blockbusters. Present in Cannes for two films in competition, he confided in Europe1. 
Portrait. Robert Pattinson is unrecognizable in his new roles. This year, the English actor known for his role in Twilight is present in Cannes for two films in competition. 
At first, Maps To The Stars, the latest David Cronenberg, together with Julianne Moore. Robert Pattinson embodies a limousine chauffeur, whose dream is to become a scriptwriter.
The actor is also in The Rover by David Michôd, in which Robert Pattinson plays a pursued criminal. 
New direction. Robert Pattinson's career takes a new direction since the last two years. The actor played a young billionaire in Cosmopolis, also by David Cronenberg. A collaboration which reveals him to the eyes of the directors of art films.
"I am open to everything."  
"I do not believe that I really changed, I just have a lot of luck," the actor to the microphone of Europe1 confides.
"It is incredible that happens to me, it is completely crazy," assures the actor, who does not however close the door in the big productions, in particular in the continuation(suite) of the legend Twilight:
"I am opened to everything! But I am too old now. Having said that, if it is Quentin Tarantino who directs it, I shall be obliged to say yes!" 
Jacques Audiard. "I do not choose any more of my films based on money or prosperity, and that makes me really very happy", pursues Robert Pattinson, who dreams to collaborate with Jacques Audiard. A change of direction which does not prevent the teenagers from continuing to worship the actor. On Sunday, some waited for him several hours in front of the hotel where their idol gave interviews.
It's clear and has been for a bit now that Rob's professional path is one that allows him to work with great directors. Hopefully, if he keeps mentioning Audiard, he'll get the opportunity to work with him, a favorite of Rob's. Click HERE if you missed an earlier interview that Rob talked about his director plan!
 
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