Since embarking on his romance with FKA twigs last year, Robert Pattinson appears to have made it his duty to support his singer girlfriend at as many of her shows as possible.
So when she lit up the stage with a raunchy performance at London's ITV studios during Thursday's Brit Awards nominations party, it came as no surprise that her beau was watching from the wings.
After her scintillating showcase - during which she also learned that she'd received two nods - the musical beauty enjoyed a romantic dinner date with Robert at the Little House Mayfair.
Twilight star Robert, 28, sported an orange top under a grey jacket as he stepped out out with a cap pulled low over his eyes.
The beautiful, angry Bell has revenge in her heart and Lander Gable in her sights. She's seduced her way into his arms with the intent to destroy his wealthy family. But now that she's there, lust and passion have begun squeezing out that desire for vengeance. It's a dangerous game Bell is playing, and sex, mystery and lies are the most intriguing game pieces of all.
In Book One, Deceptive Innocence, Bell's mother dies in prison while serving time for a murder she didn't commit and Bell has been focused on one thing: revenge. She knows her mother was set up by the Gables, a powerful family who was either protecting themselves or a business interest from criminal charges. Now she's determined to take them down - from the inside. And the best way to get to them is through their youngest son, Lander.
Dangerous Alliance continues where Book One left off. Bell has learned that Lander is a man with secrets of his own, through, and that he's not a particularly big fan of his Gable family. Still, will he be an ally, or just her secret lover.
14. QUEEN OF THE DESERT
With rumors that it would arrive last year, the wait continues for Werner Herzog’s first narrative feature in half-a-decade, the story of legendary cartographer Gertrude Bell may be hitting theaters this year. Led by Nicole Kidman, Robert Pattinson, James Franco, and Damian Lewis, Queen of the Desert follows Bell, a diplomatic explorer, who negotiated with Arab nations and helped establish the countries of Iraq and Jordan. Considering that Herzog is the man who gave us such epics as Fitzcarraldo and Aguirre, we’re looking forward to a return with what looks to be his most visually ambitious work in some time. With fall line-ups getting announced shortly, check back for updates. – Jordan R.
96. LIFE
After premiering his latest drama, A Most Wanted Man, at Sundance last year, we thought director Anton Corbijn might return to Park City, but barring any last-minute announcements that looks to not be the case. Hopefully coming later this year, as scripted by Luke Davies, Life centers on the relationship between James Dean (Dane DeHaan) and Life Magazine‘s Dennis Stock (Robert Pattinson), the latter of whom had been tasked with capturing the up-and-coming actor less than a year before his rise to stardom and tragic death. – Jordan R
21. THE TRAPCheck out the rest of the list over at The Film Stage
After the success of Spring Breakers, Harmony Korine is ready to dive right into his next, “most ambitious” project yet. While little is known about The Trap, we do know that it will likely star Jamie Foxx, Robert Pattinson, and Benicio del Toro in a revenge, gangster drama that follows a “multi-generational family of criminals in the South.” Korine is set to begin shooting the film in Miami in the coming months. With Spring Breakers introducing Korine to a wider audience than ever before, could The Trap be his next big step into the cultural spotlight? – Dan G.
"Guy Pearce expects Robert Pattinson to become the "biggest movie star in the world".Check out the full interview over at Yahoo
The 47-year-old actor appears alongside the 'Twilight' star in thriller film 'The Rover' and he believes the hunk's great looks and superb acting ability can enable him to become the best in the industry if he puts his mind to it.
He said: "I'd met Robert briefly one Comic Con a couple of years ago and told him he was great - I'd only seen one of his films, 'Water For Elephants'.
"He's as interested in delving into character as much, if not more, than I am.
"I thought, 'This guy's totally my cup of tea.' Then I put two and two together and went, 'Hang on, he looks like that, he's that famous and he's this good .... Seriously, if he doesn't become the biggest movie star in the world there's something wrong.'
"Amazing as an actor and amazing looking - what a combination."
Some girls say no. Some boys don't listen.
When Grace meets Ian, she's afraid. Afraid he'll reject her like the rest of the school, like her own family.
After she accuses Zac, the town golden boy, of rape, everyone turns against her. Ian wouldn't be the first to call her a slut and a liar.
Except Ian doesn't reject her. He's the one person who looks past the taunts and the names and the tough-girl act to see the real Grace. He's the one who gives her the courage to fight back.
He's also Zac's best friend.
Jennifer Brown, author of HATE LIST and BITTER END says SOME BOYS is “A bold and necessary look at an important, and very real, topic. Everyone should read this book.”This is an intense story so get all your feels in order!
Kirkus says SOME BOYS is “A largely sensitive treatment of an emotionally complex topic…Readers will find themselves rooting…for both the romance and for Grace’s and Ian’s growth.”
Booklist says that SOME BOYS’ “powerful delivery, realistic dialogue, and well-placed hooks makes this a book that will be easy to sell to readers, especially reluctant ones.”
In a 4-star review, RT says “…you will be satisfied at the end of this powerful work.”
The Childhood of a Leader
Director: Brady Corbet // Writers: Brady Corbet, Mona Fastvold
Working with the likes of Bonello, Östlund, Assayas, Hansen-Løve and Baumbach, when you count the 2014 festival release year alone, actor Brady Corbet (Mysterious Skin; Funny Games U.S.; Simon Killer) has built quite the impressive resume working with the auteur set. While The Childhood of a Leader is his feature length directing debut, this counts as back to back years working in the filmmaker capacity when you take into account his writing creds in Mona Fastvold’s overlooked ’14 title, The Sleepwalker, and the soon to be premiered Sundance short Rabbit, by filmmaker Laure De Clermont-Tonnerre. Initially announced as starring Juliette Binoche (Corbet’s co-star from Clouds of Sils Maria), she was later replaced by Berenice Bejo. It goes without saying that most of the attention will be placed on Robert Pattinson, continuing his tour of difficult, auteur driven and inspired cinematic projects, but Corbet also nabs Tim Roth and Nymphomaniac star Stacy Martin in the lineup. Set in 1919, this story tells the tale of a ‘would-be-fascist,’ and the screenplay is inspired by a wide range of authorial pillars, from John Fowls to Jean-Paul Sarte with a bit of Volker Schlondorff’s 1966 classic Young Torless (which also served as a point of comparison for Haneke’s The White Ribbon). The film has been described as partially about a family that relocates to France for the Paris Peace Conference and about the events leading up to the Treaty of Versailles. Early descriptions of the film also point to elements of horror.
Cast: Robert Pattinson, Berenice Bejo, Stacy Martin, Tim Roth
Producers: Brady Corbet, Chris Coen (Jane Got a Gun), Helena Danielsson (Call Girl), Antoine de Clermont-Tonnerre (Salvo)
U.S. Distributor: Rights Available.
Release Date: With filming set for this January, the Venice Film Fest organizers must be eagerly awaiting a chance at showcasing this film.Maps To The Stars released their US trailer today and The Playlist included the film in their 25 Best Films of 2015 We've Already Seen. Here's their verdict on the film:
Verdict: Soapy to the point of lunacy, overwrought to a near-camp extreme, and atypically messy from the usually hospital-corners Cronenberg, “Maps to the Stars” is also a huge, almost sinful truckload of fun. Assembling a wonderful cast who take delight in ripping to shreds the folly and hubris of the vacant Hollywood lifestyle, the film is a riot of inside-baseball winks about the film industry, and the deeply narcissist, rotten-to-the-core sellouts who populate it. Julianne Moore’s titanic performance as the fading star facing encroaching middle age (and therefore irrelevance) is so good that it won her Cannes' Best Actress award, and in one go ensures that she herself will never suffer her character’s fate. But all of the cast do sterling work: it’s a, "Hey, where you been?" to John Cusack, and a, "Hello, we’ll be seeing a lot more of you," to Evan Bird, especially. It’s may simply be a gonzo gothic telenovela (so much soap can only ever generate so much froth), but it’s a giddy good time at the pictures.
I must confess that I had been looking forward to this one since it was first announced and before I knew a damn thing about the film. David Michod’s chilling “Animal Kingdom” remains one of the most startling and assured directorial debuts of the last decade, and my favorite from the current crop of gloriously pessimistic Aussie cinema that includes the films of John Hillcoat, Andrew Dominik’s “Chopper,” and Justin Kurzel’s “The Snowtown Murders.” And yet my already-colossal expectations were not just met, but exceeded by “The Rover,” Michod’s spare, brutal look at savagery and survival in a world abandoned and left to rot by the very people who once inhabited it. The film unfolds in the midst of a worldwide catastrophe called “The Collapse,” the causes of which Michod wisely declines to explain. Some have criticized the film’s leisurely pace and minimal plot, but when the mood and menace is this thick and gorgeous, it would be churlish to complain. Guy Pearce—who, in his whole career, has never been this feral or terrifying, even when he beat Shia LaBoeuf to within an inch of his life in “Lawless”—plays Eric, a frazzled shell of a man whose single-minded pursuit of his missing automobile forms the crux of the film’s slow-burning narrative. As his traveling companion, Robert Pattinson is nothing less than a revelation. The actor has often relied on his striking good looks and air of affectless-ness in the recent films of David Cronenberg, where affectless-ness is a consistent stylistic choice. As Rey, the stammering, sweet-hearted simpleton whose wardrobe looks to be on loan from a 90’s rap-rock band, Pattinson reveals newfound dimensions to his screen persona. He is daft, childlike, full of wonderment and fear. He and Pearce acclimate themselves effortlessly to Michod’s hellish milieu, which strips its “Mad Max” futurescape of all action-movie chicanery and unnecessary exposition and reduces it to the bare essentials. Some have called the film “dystopian,” although that seems unfair and not quite accurate—perhaps this collective misjudgment is to blame for the film’s performance at the box office. But any film that manages to successfully utilize Keri Hilson’s joyously insipid “Pretty Girl Rock” in its most emotionally charged moment has to be something pretty special.The critics over at The Playlist were fans of The Rover and have included the film and the performances on several lists already documented here. They still gave The Rover an honorable mention on their 17 Best Films You Didn't See in 2014 even though the film appeared in an earlier version of this list:
Films like "The Rover," "The Babadook," "Blue Ruin" and "Obvious Child" should have been bigger hits than they were, but we've been shouting about them for a while, including in our year-end coverage, so we wanted to use the spotlight to shine on some darker corners.The Playlist, like Buzzfeed, ranked Rob singing Pretty Girl Rock, as 4 out of 15 of the Best Movie Music Moments of 2014!
David Michod's "The Rover" is unrelentingly bleak, or very nearly so. Set in a post-apocalyptic Australia that makes the world envisioned by George Miller's "Mad Max" movies seem like a day at a multi-level spa, the narrative is defined largely by bloodshed, squealing tires, and grime. But it's during the movie's darkest section that Michod brings out the most wonderful moment of levity. Over a stark, wasted landscape, and stars Guy Pearce and Robert Pattinson tromping over brush, a familiar tinkling piano starts to boom over the soundtrack, former Timbaland protégé Keri Hilson's outrageously wonderful "Pretty Girl Rock." It lets the audience say, "Wait! I know this song," plugging them into the character's mindset in a way that the movie hadn't previously accomplished, segueing to the next scene, where Pattinson halfheartedly sings along to the song in some bombed-out vehicle (notably the line "Don't hate me 'cos I'm beautiful" which has to have meta relevance for the actor). The upbeat nature of the song gives the movie hope, even if that hope is just as phony and shiny as the song itself (and over just as quickly). It's sometimes hard to make an emotional connection with a movie as single-mindedly brutal as "The Rover," but this moment, thanks to this song, lets you in. It's also amazing to think that, in the dusty distant future, people are still doing the pretty girl rock.
6. Maps to the Stars Celebrity is often satirised, but not usually so well. David Cronenburg’s Maps to the Stars was appalling, trashy, and thrilling. Stunningly entertaining yet thought provoking and at times, moving. It was testament to the idea that perfect execution can sometimes be better than having the most original idea.I love love love that Rob's films get on these year end lists and best of mashups. Chances are we'll be doing this dance again at the end of 2015. :)
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- Buy (UK)
- Buy(UK)
Twilight (2008)- Trailer - Buy(US)
- Buy(UK)
Little Ashes (2008) -Trailer - Buy(US) - Buy (UK) 
- Buy(UK)
The Haunted Airman (TV)(2006) - Trailer - Buy(US)
- Buy(UK)
Harry Potter and the Goblet of Fire (2005) - Trailer - Buy(US) - Buy(UK)
- Buy(UK) 
Vanity Fair (2004)(uncredited) - watch 
