Emmmmmm...........I wanna hold Rob's hand too
Source Xfmbreakfastshow FB
From this day on, Pattinson cannot be written off as the pale, neurasthenic fellow who would really like to kiss Kristen Stewart in the "Twilight" movies, but he's afraid he'll rip her veins out.
In fact, if "Bel Ami" is any indication, Pattinson should be known as a very good actor.
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What distinguishes Pattinson in the role is the sense he conveys of someone roiling and churning beneath a surface that is almost, but not quite, calm.
At various times in "Bel Ami," Pattinson registers unexpressed terror, shame, rage and scorn, so that it is impossible not to recognize and even start to feel his tension and to understand the life-and-death consequences behind his every interaction. Young Georges (Pattinson) has nothing and yet finds himself traveling in upper-class Parisian circles - with people who have everything, who know his every move in advance and who would be just as happy to see him land back in the gutter.
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It's a pleasure to watch him onscreen and wait for the explosion.
It’s legitimate to dislike this film, of course; one of the things I appreciated about “Bel Ami,” perhaps perversely, is how forcefully it resists easy enjoyment. But I think “Bel Ami” has been criticized in some quarters for being exactly what it sets out to be, a trashy, high-culture morality tale with an unpleasant hero and a bleak view of human relations. Pattinson plays Georges throughout as an unsophisticated country boy whose desires and appetites are almost animalistic. He can be a friendly, loyal dog or a scheming, hungry wolf, but the world of high-society Paris rapidly educates him about which of those personas is more conducive to advancement.
CANNES, FRANCE—Robert Pattinson swears he can tell how people are enjoying his movies by how many coughs he hears from the audience. He employed this unique gauge at the May 25 Cannes Film Festival world premiere of Cosmopolis, his new movie directed by David Cronenberg.
“I watched it at the screening last night, but I wasn’t even watching,” Pattinson, 26, tells a roundtable of journalists. “I was just listening for every cough: Please don’t cough! Please don’t cough!” (Tink: See! Rob would not be ok with me in his screening.)
He seems awfully nervous for one so successful. He’s the lead star of the Twilight franchise, playing moody vampire Edward Cullen, a role that has made him famous and rich. Pattinson also had a small role in another big film, Harry Potter and the Goblet of Fire. He’s neither new at this game nor naïve. Could he really suffer from self-doubt?
“Oh, completely,” he says, sucking on a lollipop for sustenance. (Tink: Jesus...)
“I want that the whole time. Even for this screening. I was pissed off about everything, completely worried, incredibly stressful thing. But my manager was like, ‘You’re not happy at all?’ No, no, people are all coughing! They’re coughing because they’re bored!The next thing we have is 4 older stills now in HQ! This pleases me because just look at him...
“It’s f---ing crazy. Coughing! It’s all I can think about. But I like that. You’ve got to burn. As soon as you start thinking you’re good, you’re s--t. So yeah, it’s an annoying way to live, but yeah.” (Tink: note to self - drink Robitussin in the theater if Rob is there.)
He’s equally candid about his doubts whether to accept the lead role of Eric Packer, the 28-year-old billionaire in Cosmopolis who goes off the reservation for a day-long Manhattan odyssey in a white stretch limo.
“It seems complicated on the page (Don DeLillo’s book and Cronenberg’s screenplay), and I thought making the decision whether to do it or not seemed like the only difficult part of it.
“Could I actually do it? I didn’t know. David offered it to me and I didn’t know. I know it’s really good, and it’s Cronenberg, so it’s really cool. But on the other side, you’re in every scene, so if you f--- it up, you f--- up the whole movie.” (Tink: He so didn't f--- it up.)
So here Pattinson is at the Cannes Film Festival, holding court with ink-stained wretches, and actually seeming to enjoy himself while doing so. Maybe it’s because no one is coughing. It helps that his Twilight co-star Kristen Stewart, his vampire love on-screen and real one off-screen, was also in Cannes, presenting her own new film, On the Road. The two walked the red carpet together. Pattinson hasn’t always been this wound up. He got that way after Twilight launched millions of teen sighs — and shivers.
“Yeah, because no one cared before (Twilight). It’s easier now to sell things to people, but afterwards, it’s weird. If everyone thinks something is good, you’re the one who thinks it’s s--t. If everyone is saying it’s bad, you’re like, ‘That’s the only time you think it’s good. You’re the only one that thinks it.’”
These feelings were intensified for him at Cannes, because Cosmopolis was competing for the Palme d’Or, the fest’s top prize (it didn’t win).
“Normally you wait for reviews or whatever, but when you’re presenting it to a (potentially) hostile audience, it’s crazy. Not knowing the whole time whether or not people will boo . . . and you have to sit there. I was talking to David before the screening, asking him, ‘Instead of an ovation, could they do a 20-minute booing thing?’” (Tink: Forever cute. Forever paranoid.)
Cronenberg calmed him down. But the director obviously picked the right man to play Eric Packer, who doesn’t seem to know how to relax. He’s constantly in full fidget, even while sitting stock still in his limo. Pattinson realizes this, and it’s why he liked the role.
“There’s a constant energy there. You want chaos to happen. He doesn’t know the answers. It’s like a really young adolescent thing: There has to be something else! The longer you hold on to that, it gets crazier and crazier. Sometimes craziness is a good thing.” (Tink: Sometimes...*side-eyes some crazy people*)
Except when people are coughing.