More HQ pictures and video of Robert Pattinson out and about for Katy Perry's 'Part of Me' afterparty

More HQ pictures and video of Robert Pattinson out and about for Katy Perry's 'Part of Me' afterparty

UPDATE 3: More pics added. 3 crops under the 1st pic + the thumbnails at the bottom
UPDATE 2: Added another video. Second video in the post.
UPDATE: Added more pics. Last few thumbnails at the bottom of the post.

Whenever Rob gets scrunchy like this, it makes me think he really COULD fit in a box. He'd love that. ;)



You guys get that box reference, right? Am I out here on a limb all alone?

Ok I couldn't resist the crop. The jaw, lips, neck, scruff, moles, etc etc etc are just too delectable.



This video is funny. You see Katy waving Rob and Shannon in. I like that she came back to the door for them since the bodyguards were clearly fools to shut out Rob. I bet Dean would have had an ulcer.



Update 2: Another angle of Rob entering David Arquette's lounge, Bootsy Bellows (named after his mother's burlesque stage name).



More pictures and videos HERE but these are all HQ. Some were in MQ before and some are new...like the one where the guy looks like he's checking out Rob's ass. Who wouldn't?


Update

Update 3

Photos: Source

*NEW* HQ & MQ Pics Of Robert Pattinson At Katy Perry's AfterParty In LA Last Night

UPDATE: 6 more HQ's added (bottom of post)
UPDATE: Added Another Video (2nd one)
UPDATED Again: Added video
UPDATE: Added New MQ Pics (Scroll Down)
*NEW* HQ & MQ Pics Of a scruffilicious Robert Pattinson At Katy Perry's AfterParty In LA Last Night

Now we know what Rob was laughing at!





Click for MQ




HQ's After The Cut

Click HERE to read the rest

*NEW* Fan Pic Of Robert Pattinson At Katy Perry's Part Of Me Premiere AfterParty Last Night

*NEW* Fan Pic Of Robert Pattinson At Katy Perry's Part Of Me Premiere AfterParty Last Night

I love that smile ;-)



Click for HUGE



Source

Firenze Interview From Cannes With Robert Pattinson & David Cronenberg (Translation)

UPDATE: Added HQ scans
Firenze Interview From Cannes With Robert Pattinson & David Cronenberg (Translation)

Thanks to RobertPattinsonMoms for sending us the translation of this interview with Rob in Cannes from Firenze

The author of the article, Giovanni Bogani, is the same guy in THIS video that you may remember seeing.
There's not really anything that new in it but there are a couple of newish quotes



Click for HQ



Translation After The Cut

Click HERE to read the rest

*NEW* Video: Robert Pattinson & David Cronenberg From The Berlin Premiere & Junket

*NEW* Video: Robert Pattinson & David Cronenberg From The Berlin Premiere & Junket

Unfortunately it's dubbed but you can hear how Rob talks about how great the fans are for coming to the premiere in the miserable weather and how he hopes people like "Cosmopolis"



Thanks to @Gossipgyal

The Wedding The Keeps On Giving - More NEW Robert Pattinson Pics

UPDATE 3: Added a full version of crowd pic
UPDATE 2: Added another pic (scroll down)
UPDATE :Added 2 more new pics below, get your magnifying glass out to spot Rob
The Wedding The Keeps On Giving - More NEW Robert Pattinson Pics

This time Rob & Zac







Click for Larger



Source via whf_violet & Alice_InTwiland

New images of Robert Pattinson in Cosmopolis + Visual effects details about the hand/gun shot scene

New images of Robert Pattinson in Cosmopolis + Visual effects details about the hand/gun shot scene

The Art of VFX got a chance to sit down with James Cooper, lead compositor on Cosmopolis. He discussed the film's visual effects at length and mentioned Rob. New images from the film were included too.

The whole article is interesting for those that have seen the film and something to keep in mind for those who haven't seen it yet. I love that it gave me new things to consider when I get to see Cosmopolis again in August.





These are the specific Eric Packer and Rob mentions excerpted from the article but I bolded the Rob mention. It's kind of funny. ;)

Sometimes Eric Packer occults the windows limo. Was there an on-set effect or is it your work?

It was a combination of both, actually. Initially that was to be a practical effect but David wanted to have options as to when the windows became fully opaque and when they returned to tinted transparency. To this end he shot the parts of the sequences where he was certain they would be opaque practically but left numerous shots on the front and back end of those shots as greenscreen. This allowed him much more control as to the timing of when the windows fell into darkness and for how long and gave us references as to what they would look like fully darkened.

...

Can you tell us about the design of the various screens inside the limo?

The character of Eric sees much more than just price and volume variations. He has a unique ability to look at the many different patterns that the volatility of the stock, commodity futures and money markets generate, analyze them and predict where they will end up in the near future. Keeping that in mind we started with the production design references and adapted them, adding our own design elements and animations to create more visually interesting screens than might normally be seen on a trader’s monitor.

...

Can you explain to us the shot in which Eric shots in his hand?

Well, in terms of visual effects I can. For motivation you’ll have to talk to Mr. Cronenberg. Apparently Robert Pattinson and his handlers balked at the thought of doing this as a practical effect so he just pointed the (unloaded) gun at his hand and pulled the trigger. We added the muzzle flash, smoke, wound and blood splatter in compositing.

LOL...that had to be Dean shutting down the "practical effect". Don't forget when you see that scene, it was done in one take. Forever impressed with Rob. :)

Is there an invisible effect you want to reveal to us?

A particularly challenging shot has Eric entering an alleyway on a mission to confront his stalker. We needed to replace the building at the end of the lane way for continuity purposes but Eric passes through a chain link gate which is left swinging behind him. And, of course, the camera is moving as well. Production did not have a green screen big enough to cover the entire entrance to the lane way so we rotoscoped the gates, put them on cards in 3D space, tracked the camera and animated the roto to match the actual gate. All in all a very tricky shot.

This is for Kate who commented on the surreal background:

What was the biggest challenge on this project and how did you achieve it? 

Well, of course, making the driving shots believable was a challenge, particularly since David has a slightly surreal aesthetic even in his more, shall we say, realistic films. I’m not sure that he wanted the cityscape outside to feel too real. I would say the biggest technical challenge was in the keying. He wanted to shoot the interior of the limo with tinted windows in place in very low light. This presented some challenges in that the green screen luminance was considerably less than optimal and, because of the high ISO needed to shoot in such low light, was much grainier than ideal as well. Of course we wanted to keep every hair on everyone’s head in the keys so we spent a lot of time finessing them.

Click the thumbnails to view the visual effects comparisons closer. Non-Rob images at the source.

Source | Via: Spunk Ransom