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New Interview With Robert Pattinson In Les Cahiers Du Cinéma (France) & NEW BTS Still From Good Time
New Interview With Robert Pattinson In Les Cahiers Du Cinéma (France) & NEW BTS Still From Good Time
The June issue of Les Cahiers Du Cinéma features Rob on the cover and a new interview from Cannes inside. It also has a new BTS pic from Good Time.
Read the translated interview below.
Click For HQ
Translation (Thanks to Pattinson AW)
The June issue of Les Cahiers Du Cinéma features Rob on the cover and a new interview from Cannes inside. It also has a new BTS pic from Good Time.
Read the translated interview below.
Click For HQ
Translation (Thanks to Pattinson AW)
Good Time burst into the Cannes
competition just as Robert Pattinson appears in the movie: overexcited,
disheveled and in the middle of a race. When we met him two days later,
the actor found back his gangly figure, as he defines himself: lanky,
thin and ready for separation. His shyness is not feigned and his
nervousness explodes in flashes in a warm expression
He is one of these actors that seem to be embarrassed by their beauty,
who doubt their acting qualities. As for us, for a long time now we have
no doubt about this. The very physical character in Josh and Ben
Safdie's movie is an additional metamorphosis in the ever-richer
filmography of the English actor, who chooses the roles with an obvious
taste for innovation. The interpretation prize would have come at the
right time to salute his trajectory since the worldwide success of 'The
Twilight Saga', which made him a superstar and lead him towards more
adventurous movies with David Cronenberg, James Gray and Werner Herzog.
But Pattinson will not stop there. While waiting for 'High Life' by
Claire Denis and 'Idol’s eyes' by Olivier Assayas (he will be playing
alongside Sylvester Stallone), he has already announced a collaboration
with Ciro Guerra, the Colombian director of 'Embrace of the Serpent'.
(Robert Pattinson asks the first questions)
Rob: Did you have fun at the festival?
CDC: Yes, even if the movies in competition were not really good this year… Luckily we had a good time watching 'Good Time'!
Rob: And what other movies?
'The Day After' by Hong Sang-Soo.
Rob: Oh yeah, Claire Denis told me about it, she loved it. I must see it.
At
the Quinzaine there was the very good film by Claire Denis, 'L'Amant
d'un jour' by Philippe Garrel and 'Jeannette' by Bruno Dumont…
'Jeannette'?! I was told it was bad!
On the contrary, it’s brilliant!
Well I must see it then…
'Good Time' created a buzz in the competition.
You
probably know that, in the beginning the movie was not in competition.
If it had been shown at special screenings, the response by the audience
would have been different, it would have been seen as a fun movie. But
it's a more serious film.
You were the one who contacted the Safdie’s to work with them?
I
had seen a poster of 'Heaven Knows What' on the Internet and I told
myself that if they were using that kind of image for the promotion then
their sensitivity was interesting to me. The trailer was incredible,
really energetic. I met them and in a matter of seconds I knew it was
cool. It's the kind of things you feel right away. I hadn't seen the
movie yet but during this first meeting I told them: let’s do something
together, whatever it is. They have this rare quality of reacting and
taking decisions pretty quickly. Usually you are told, it's okay, and
then it takes a lot of time. With them it was like: "Let’s do this!" and
one month later I received the first version of the script. The
original idea for 'Good Time' was very different, I was Buddy Duress'
brother and we took interpretation classes, it was strange (laughs).
Josh Safdie sent you a biography of your character, before the script?
Yes,
I think it was before. It was part of their writing process. Josh
wanted me to learn these five or six pages about Connie's life, which
explain why he went to prison at the age of 12 for example. I felt like
an undercover cop who had to learn his cover. Nothing extreme happened
to the character. I knew how he grew up, what were the names of his
family members. From the second version of the script, I was constantly
exchanging emails with Josh and Ronnie Bronstein. I wanted to be sure to
go in a certain direction so I told them about my idea of an ideal
script. They always answered me, staying very open minded.
Did it last long?
About
eight months. We were talking daily when I was in Colombia shooting
'The Lost City of Z', because there was nothing much to do there. It
helped me throw myself into the script and feel really connected to the
story.
There was from the beginning a mix between impulsivity and lapses of time.
Yes,
that’s how they work. I think most of the other actors didn't read the
script, except Buddy maybe. Five minutes before shooting, Josh explained
the scene. It’s quite crazy, I had never seen that, this way of putting
the set under pressure, I don’t even understand how it works! (Laughs).
On my part, I prepared myself for the role quite conventionally. I
loved the dialogues, but Ronnie and Josh were ready to give them up.
Josh could tell me: I love the voice you used in this scene, go ahead,
do whatever you want, own the dialogue! But I wanted to speak the exact
written words. Everyone was improvising around me, though I tried to
keep the thread. It was a bit scary. When your partner is improvising
and the scene is supposed to go in a certain way and you could be sure
he was going to say the opposite of what was written in the script! So I
had to constantly do rework on the intentions, which was exciting.
Did you work with the other actors before shooting, for example with Buddy Duress?
No
i didn't. I think Buddy was in jail just before the shooting, and I
think we had to postpone the starting of the filming because we had to
wait for him to be bailed. Most of the actors
were playing roles that are close to who they are in real life. They are
mostly New-Yorkers and I was scared not to fit in with them. It was my
biggest fear during the shoot. It’s not nothing to be a real New-Yorker,
everyone is looking at you to see if you’re faking it. We worked for so
long… I learned the Queens accent while being there. It didn't come
from the role but more from daily life. Everything comes easier when you
have time.
Your character is metamorphosing all the time during the movie. Are some of these transformations your idea?
Josh
and Benny have a really specific universe, a kind of environment that I
knew I wanted to be part of, to be included in, to be able to go in the
streets, to interact with the passers-by. In my other set experiences
in New York, people recognized me, as everywhere else in the world –
people wanted to take pictures of me. It was one of my fears, especially
working with non-actors. I would have become a curiosity for everyone
around. So we tried on costumes and make-up, I would go in the street to
see if people recognized me. One day, we were doing camera tries
without authorization in a car wash station, I was in my character's
outfit, with Benny, I had marks on my face, a dyed beard and I could see
in people's eyes that they did not recognize me. I used the character to hide.
Connie is constantly trying to hide, like a chameleon and running away from himself. Like you? Did it become a personal role?
Yes,
he is like an actor without realizing it. He also is like a dog running
after his own tail. It’s always fascinating to see, this animal going
faster and faster in such an obsessive way. You are right, there’s
something very personal here but I can't really define it. Lots of
elements were removed from the movie, they were dreamlike sequences
where the character seems more mystical… When you live isolated from
others, the imagination gains more and more space and you just loose
contact with reality. We talked about it with Josh, for example the
scene where Connie is at the hospital, he bumps into a police officer
and tells him he was with his father in a room and that there is a
problem with the tv… but for me he is not lying: in his head it
happened. On one side he is immersed in reality but he is constantly in
an imaginary world too. And that’s something I share with him.
Your taste for transformation was already there in 'The Lost City of Z' or in 'The Rover'
It's
probably a way of convincing oneself. You have to be able to take a
picture of yourself and not recognize yourself. It's a funny feeling.
Whatever the reason, you start to behave a certain way, like you never
have before. The more you proceed in life the more you know what kind of
attitude will bring this or that reaction, but to use this knowledge in
a movie always make me feel like repeating myself, to be fake and
cheap. But to do something you have never done in real life… I don’t
know, what I am telling you makes no sense! (Laughs) It’s just a way of
getting rid of all the vanity, all the "I want to be handsome" thing.
And if most of the actors want to transform themselves, it's just
because they have a huge feeling of embarrassment and shame about
themselves. We want to convince ourselves that we can be someone else,
to confront the reality in a better way.
You
do that too and with a lot of modesty. In James Gray’s movie you have a
supporting role, like in 'Maps To The Stars'. It’s remarkable
I
have played small roles in a lot of movies. There is no difference for
me. I see myself as an apprentice. I still don’t really know how to do
what I am doing, I am always in training. So every work occasion is like
a new lesson. And I literally have nothing to lose. Besides that, there
are not a lot of good leading roles. Most of the time, those are roles
that are immediately linked with a commercial production. A lot more
people are worried if you give a weird interpretation, but you are freer
in a supporting role, you can almost do whatever you want!
As you talked about lessons: what did you learn from David Cronenberg?
'Cosmopolis'
was very important to me. And there’s Don DeLillo too… Younger, I
wanted to be a musician and the writing process for the 'Cosmopolis'
script was really like music. Before this movie, I always thought about a
role from its character’s motivations. It was a cerebral process. But
in 'Cosmopolis', because of its surrealistic aspect, the rhythm of the
writing was more important than the psychological motivations. That’s
when I learned I could say an entire monologue without thinking only
about psychology, but also about the musicality of the words as they
were written in the script. David totally agreed with that, I could just
say my lines in a way that sounded good. It was really instinctual, and
really enjoyable. And I have learned a lot too by seeing someone making
a movie which seemed impossible on paper.
And with James Gray?
I
understood when I saw the movie how much the interpretation is linked
to the camera’s position. And that the actor doesn't have to feel
responsible to tell the story alone… Most of the time, I just had the
feeling to be an extra on set. Though I had worked a lot on my
character's background, I was always asking James Gray if it was okay,
and he would say "Yes it’s okay". And I would answered "But I don't do
anything!" And him "You didn't do nothing, don't worry". I always
thought I could have done more. But the character emerges despite
everything, and for that you need to trust your director. James Gray has
really good taste, we can trust him.
'Cosmopolis' is a minimalistic role, you are mostly seated in a car.
It's
true. I am a quiet person, and with 'Cosmopolis' I was indeed in my
comfort zone. Each movie is a progression, and after 'Cosmopolis' I told
myself that I was too immobile. I became more at ease physically with
'The Rover' for which I really wanted to do something with my body.
Connie in 'Good Time' is at ease with his body too. Really at ease
even!
Do you have a method?
Not
really. I never took lessons. I react very much to the writing. If
someone writes good dialogues, it's the voice that comes first, and all
the rest emerges from it. Generally, I try to put myself into character
long before the shooting. But for real I have no other method than
knowing my biggest flaw, stress. Stress prevents me from doing anything.
Over the years, I have understood that i just
need to go in advance of the shoot to the shooting locations, wherever
they are, and stay alone for a long time, so my brain can relax ... For
'Good Time' I rented a small flat for 2 months, not very far from
Josh's. You just need to be on the shooting locations to naturally think
about the movie most of the time, and eliminate a bit of the tension.
You often said you needed to take several months to prepare for a role. What does this preparation consist of?
It's
just to understand how to believe in yourself. It's like when you lose
your keys: when you find them, you get a familiar feeling. "Oh yes, of
course, I let them there!" Yet we searched them all over the house, we
searched them in some drawers we never used or in absurd places. And
when we find them, there is a moment of recognition. Trying to create a
character is the same thing: we look absolutely everywhere until we meet
this familiar feeling. This is really a lot of experimenting. You never
have time to do all of this for a scene, so you have to do it before to
be ready. And then we always forget what has been prepared. The other
rule is to be interested in what you do, to not become bored. Otherwise
it's useless.
All of this is very internalized. You never watch the footage for example?
Sometimes,
but not systematically. You know, I'm terrible and really very annoying
when working. Every scene is the worst thing I've ever done in my life.
I reject myself. I remember that during the shooting of 'The Rover'
David Michod told me: "You say so many times that you are bad, I will
begin to believe you". (Laughs) That's my work process! "
But what gives you the feeling you have found a character, and that you are able to play it?
It
can be the costume. I am a shy person, but sometimes just by saying
instinctively something in a good way it’s that you discover you are not
that embarrassed. And that it could work. We started the shoot of 'Good
Time' with the first scene when I appear on the screen. I was
incredibly nervous. The complete opposite of Benny who could switch on
his character any time and do it all day long! So I was in this extreme
state, and there were power cuts all the time that where delaying the
shooting for this scene. I was boiling, full of adrenaline (he imitates
his state, tight muscles and hyperventilating) and I told myself, that’s
it! I am going to do this during the whole movie! No more thoughts,
just wowwwwww! Even for the scene where I am kissing Taliah (Webster,
who plays a teenager Connie seduces at her home) where I should have
been relaxed, simply seated on a couch, I put myself in this frame of
mind. And I scared her!
What will be your character in Claire Denis' film, High Life?
The
movie will take place in the future, the character is an astronaut.
He's a criminal who volunteers for a mission toward a black hole, but he
realizes along the way that a doctor on board wants to do sexual
experiences with humans in space ... (laughs) It's a very strange film. I
had not thought about it for some time, but Claire talked to me about
it here in Cannes, and she showed me some image tests of space,
completely crazy. I love Claire, I can't believe I'm going to work with
her, especially for a science fiction project. It's going to be very
beautiful.
NEW PICS: Robert Pattinson a lean mean sexy machine out and about in Beverly Hills (June 13)
NEW PICS: Robert Pattinson a lean mean sexy machine out and about in Beverly Hills (June 13)
A tall drink of water right there. YUM.
Source: JJ | Thanks Flavia!
A tall drink of water right there. YUM.
Source: JJ | Thanks Flavia!
Adorable NEW Photo Of Robert Pattinson & Josh Safdie From The Cannes Film Festival
Adorable NEW Photo Of Robert Pattinson & Josh Safdie From The Cannes Film Festival
Those Smiles ;)
Thanks Nancy
Those Smiles ;)
Thanks Nancy
NEW PIC: Robert Pattinson taking in the New Tate Modern Museum in London (June 5)
NEW PIC: Robert Pattinson taking in the New Tate Modern Museum in London (June 5)
Who would be able to pay attention to the art on the wall when living art is just casually walking through the exhibits?? Here's Rob getting his gift shopping on with *aliens in the background.
Source
*type of women that would not be passing out with such close proximity to Rob....or seem to notice him at all! The black cap is the new glasses.
Who would be able to pay attention to the art on the wall when living art is just casually walking through the exhibits?? Here's Rob getting his gift shopping on with *aliens in the background.
Source
*type of women that would not be passing out with such close proximity to Rob....or seem to notice him at all! The black cap is the new glasses.
NEW PIC: Robert Pattinson is "a true and kind gentleman"
NEW PIC: Robert Pattinson is "a true and kind gentleman"
This isn't just a lovely picture but the caption is especially lovely:
Source
This isn't just a lovely picture but the caption is especially lovely:
#RobertPattinson invited me to come and photograph him at a party he was hosting with @Dior in Cannes. We had our own section to sit quietly and get to know one another through imagery. It is always calming to meet a fellow Brit in such a unique and foreign situation, to which he was a true and kind gentleman.SIGH
Source
NEW: Robert Pattinson on the cover of Good Time soundtrack + first single featuring Iggy Pop
NEW: Robert Pattinson on the cover of Good Time soundtrack + first single featuring Iggy Pop
You can listen to the first single from Good Time by Oneohtrix Point Never, The Pure and the Damned featuring Iggy Pop. You'll recognize it from the trailer!
We also learned it will be the song in the closing scene of the film.
Oneohtrix Point Never’s #Cannes2017 award winning score is out worldwide on 11 Augusthttps://t.co/x92oaKZGXT pic.twitter.com/ghntuhX1nc— Warp Records (@WarpRecords) June 8, 2017
You can listen to the first single from Good Time by Oneohtrix Point Never, The Pure and the Damned featuring Iggy Pop. You'll recognize it from the trailer!
We also learned it will be the song in the closing scene of the film.
The soundtrack will be released with the film, August 11th, and won the 2017 Cannes Film Festival Best Soundtrack Award. You can check out the full track listing HERE with Pitchfork.‘The Pure and the Damned’ was composed by @0PN for the closing scene of the film, with lyrics by @IggyPop pic.twitter.com/wFOJRsR5Nj— Warp Records (@WarpRecords) June 8, 2017
The soundtrack to @JOSH_BENNY 's "GOOD TIME" will be out on August 11th via @WarpRecords 😘— OPN (@0PN) June 8, 2017
Congrats @0PN for the Cannes Soundtrack Award!!!! pic.twitter.com/9gSAuSHTuY— SAFDIE (@JOSH_BENNY) May 27, 2017
NEW: Catch a glimpse of Robert Pattinson
Catch a glimpse of Robert Pattinson in the background
Jammin on pub piano with @highwaysuperstr who gives zero fucks that #RobertPattinson is drinking behind him. Cos that's how we roll. 🕶🕶🕶 pic.twitter.com/sYe77JtPV6
— Sunglasses Kid (@SunglassesKid) June 6, 2017
Here Is...... Your Morning Wake Up Call With Robert Pattinson
Here Is...... Your Morning Wake Up Call With Robert Pattinson
Here Is...... Your Morning Wake Up Call With Robert Pattinson
Here Is...... Your Morning Wake Up Call With Robert Pattinson
ROBsessed Giveaway: Another great summer read from one of our fave authors - Dating You/Hating You by Christina Lauren!
ROBsessed Giveaway: Another great summer read from one of our fave authors - Dating You/Hating You by Christina Lauren!
We have a new summer read for you guys from Christina Lauren of Beautiful Bastard fame and their other sexy series, Wild Season. Dating You/HatingYou is their first standalone romance novel released today, June 6th. This romantic comedy will have you flipping through the pages while you lounge by the pool, take to the skies for a vacation or curl up on the couch with a glass *coughbottle* of wine. Check out the synopsis:
a Rafflecopter giveaway
Don't want to wait? Click below in the widget to buy now!
We have a new summer read for you guys from Christina Lauren of Beautiful Bastard fame and their other sexy series, Wild Season. Dating You/HatingYou is their first standalone romance novel released today, June 6th. This romantic comedy will have you flipping through the pages while you lounge by the pool, take to the skies for a vacation or curl up on the couch with a glass *coughbottle* of wine. Check out the synopsis:
Dating You/Hating You (on sale June 6th) - Everyone knows that all's fair in love and war. But these two will learn that sabotage is a dish best served naked.
Despite the odds against them from an embarrassing meet-awkward at a mutual friend's Halloween party, Carter and Evie immediately hit it off. Even the realization that they're both high-powered agents at competing firms in Hollywood isn't enough to squash the fire.
But when their two agencies merge - causing the pair to vie for the same position - all bets are off. What could have been a beautiful, blossoming romance turns in to an all-out war of sabotage. Carter and Evie are both thritysomething professionals - so why can't they act like it?
Can Carter stop trying to please everyone and see how their mutual boss is really playing the game? Can Evie put aside her competitive nature long enough to figure out what she really wants in life? Can their actor clients just be something close to human? Whether these two Hollywood love/hatebirds get the storybook Hollywood ending, or just a dramedy of epic proportions, you get to enjoy Chistina Lauren's heartfelt, hilarious story of romance in the modern world.Giveaway details:
- There will be 2 worldwide winners!
- You can enter the giveaway once a day through the Rafflecopter and/or Twitter.
- The giveaway will end Sunday night, June 25th.
- Good Luck!
a Rafflecopter giveaway
Don't want to wait? Click below in the widget to buy now!
Robert Pattinson Looking Handsome In His Tux In A NEW/Old Fan Pic From The 'Good Time' Afterparty At Cannes
Robert Pattinson Looking Handsome In His Tux In A NEW/Old Fan Pic From The 'Good Time' Afterparty At Cannes
Great NEW Portraits Of Robert Pattinson From Cannes
Great NEW Portraits Of Robert Pattinson From Cannes
These new portraits of Rob by Victoria Stevens are fab.
*fansself* Is anyone else feeling hot?
Thanks Posh!
These new portraits of Rob by Victoria Stevens are fab.
*fansself* Is anyone else feeling hot?
Thanks Posh!
Here Is....... Your Morning Wake Up Call With Robert Pattinson
Here Is....... Your Morning Wake Up Call With Robert Pattinson
NEW PIC: Robert Pattinson lunching with French director, Maïwenn, in Paris (June 3)
NEW PIC: Robert Pattinson lunching with French director, Maïwenn, in Paris (June 3)
Look at him! WERK! The man knows how to get what he wants and I love getting a glimpse at his hustle.
Click HERE for more info on Maïwenn. Her films Pardonnez-moi, Polisse and Mon Roi have been recognized with nominations at the Cannes Film Festival and César Awards.
Source | Thanks Flavia!
Look at him! WERK! The man knows how to get what he wants and I love getting a glimpse at his hustle.
Click HERE for more info on Maïwenn. Her films Pardonnez-moi, Polisse and Mon Roi have been recognized with nominations at the Cannes Film Festival and César Awards.
Source | Thanks Flavia!
HQ & UNTAGGED: Pictures of Robert Pattinson from photoshoots during the Cannes Film Festival 2017
HQ & UNTAGGED: Pictures of Robert Pattinson from photoshoots during the Cannes Film Festival 2017
We've posted these pics before but now they're all untagged and/or in high quality - just how we like our Rob.
Click for gorgeous HQs! Careful....
NYT Pics: Via
We've posted these pics before but now they're all untagged and/or in high quality - just how we like our Rob.
Click for gorgeous HQs! Careful....
NEW: Robert Pattinson talks about eating cans of tuna, working for Dior, filming in Chile and more!
NEW: Robert Pattinson talks about eating cans of tuna, working for Dior, filming in Chile and more!
From news.com.au, Robert Pattinson was surviving on tinned tuna and living in a basement:
Another interview under the cut!
From news.com.au, Robert Pattinson was surviving on tinned tuna and living in a basement:
ROBERT Pattinson took method acting to the next level for his role as a low-life robber in the upcoming film, Good Time.
He eschewed the usual five star accommodation laid on for a celebrity of his calibre and chose to live in one of New York’s seediest neighbourhoods.
“I literally lived in the same basement apartment [as the character] in Harlem. I never opened my curtains, didn’t change the sheets the entire time I was there, for those two months, and I would just sleep in my clothes,” he tells news.com.au.
“There was this woman who lived upstairs and she kept trying to see what was going on because she thought I was such a weirdo. I kept really weird hours and I would run in and quickly close the curtains.” He laughs.
“I was like this freak living in the bottom of the basement.”
It’s impressive that he maintained this lifestyle — though it must have been difficult for those around him, not to mention, rather smelly? He laughs. “I was by myself the whole time.
“I only ate cans of tuna the whole time. I probably have mercury poisoning now because I ate it just out of the can. That’s all that was there: tuna, hot sauce, and Nespresso capsules.”
It seems his commitment paid off. At the Cannes Film Festival, where the audiences are tough at the best of times, Pattinson received a standing ovation when the end credits rolled. Quite a departure from his adored role in the Twilight franchise which made him an international celebrity but his acting skills were never taken seriously.
I ask him whether he was surprised by the positive reaction he received towards his performance.
“I am always way more surprised that I am considered a heart throb.” He laughs. “That really blows my mind. Before Twilight, I never got the good looking parts, ever. I was gangly,” he insists.
“What’s weird is that you can do one movie and everything changes. I think that’s why I get a lot of weird reactions to me being in movies. You have someone’s face [associated with a beloved fictional role] and then people were so obsessed with that character.
“In Twilight they were like, ‘You are so beautiful.’ Literally, the amount of times that I’ve been walking down the street, looking disgusting, and then someone who is a Twilight fan would say, ‘You’re so beautiful!’ And [I wanted to say], ’You are literally, actually not seeing reality,’” he says.
“And there are other people who got furious over it, saying, ‘What are you talking about? He’s ugly!’” He sighs. “So stupid!” He looks at the ground, shakes his head and says, “I can’t believe I just talked about that.”
Pattinson must have felt validated at the reaction he received on opening night at the glamorous festival. “It was crazy. People were crying. And this movie specifically was such a long shot. I am really proud of it. It’s a really nice feeling.”
He’s hoping Good Time will change his perception in Hollywood. “Doing a role like this allows you more freedom on the next job. Hopefully people will think, ‘I want to take a risk on him.’ Before it was like, ‘Everyone thinks you are sh*t,’ and the director would be like, ‘No. No one would believe you in that kind of role.’ But if you have proven yourself a few times people will say, ‘Yeah, maybe we will go with him. Hopefully it will work out’,” he says, shrugging his shoulders. “But of course there are no guarantees.”
Times have changed since he had paparazzi following his every move. “I really don’t have to think about the fans [anymore]. I live in London where it’s not really a thing. And also, over the last few years, just the nature of fame has changed so much.
“I noticed even in LA, there’s hardly any paparazzi anymore because people take their own photos on Instagram. Nobody buys gossip magazines because everybody just looks on the internet,” he says.
“So, if there’s no money in it, no one does it anymore. It’s great.” He grins. “In LA, there were areas where I would never dream of going to, like certain shopping streets. Five years ago, there would be 30 paparazzi on every street. I am just getting used to that and it’s so nice to let that fear of being spied on go away.”
The last time we spoke was for his Dior commercial when he became the spokesman for the luxe brand. “Yeah, it’s funny. I remember signing up with Dior and I was so nervous about it because a few years ago when I decided to do it there weren’t that many actors doing that kind of thing on that level. They might do it in Japan or somewhere where they thought they wouldn’t get noticed. Otherwise, they wouldn’t be taken seriously as an actor.”
But they dangled the carrot and Pattinson couldn’t resist. “They gave me final cut on the commercial.” He smiles. “Then the next year, literally every single actor in the world was doing one. So, it’s not really a moral conundrum anymore.”
It seems his second job pays well. “Yes, it does. I am basically a model, that’s my other job.”Love all these quotes from Rob and a nice variety. I'm also glad DiorRob is his steady second job. I hope he always keeps it for purely selfish reasons....
Another interview under the cut!
MORE: Robert Pattinson having a GOOD TIME in Cannes is what we expect from our King of Cannes
MORE: Robert Pattinson having a GOOD TIME in Cannes is what we expect from our King of Cannes
We've got some odds and ends for you but you'll love them all - Rob having a GOOD TIME at parties, always being good to fans, entering his hotel, looking sexy in general...all the stuff we expect from our King of Cannes.
Source | Source | Source
We've got some odds and ends for you but you'll love them all - Rob having a GOOD TIME at parties, always being good to fans, entering his hotel, looking sexy in general...all the stuff we expect from our King of Cannes.
#Spotted #Cannes #RobertPattinson and the #SafdieBrothers having a #GoodTime in #Cannes promoting their newest #fi… https://t.co/mA71NhZmIw pic.twitter.com/nQbQCXLr0Q— Magazyn Film (@MiesiecznikFilm) June 1, 2017
First pics from my interview w/ #RobertPattinson just moments ago @ #Cannes2017— Marcel Emmel | 1LIVE (@Kinomann_Marcel) May 25, 2017
Tonight: premiere of #GoodTime pic.twitter.com/DJg6NP8R6m
Source | Source | Source
NEW PIC: Robert Pattinson & Some Lucky Fans Today
NEW PIC: Robert Pattinson & Some Lucky Fans Today
via Robsjaw & PAW
Thank you Robert Pattinson! And sorry for bothering you 😘😘 pic.twitter.com/Lk1lQuF7F6— 🥀 (@roselIiott) May 31, 2017
via Robsjaw & PAW
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