
From Edward Cullen to Salvador Dali

Robert Pattinson sheds "Twilight" image in film
LOS ANGELES (Reuters) - "Twilight" fans fell in love with Robert Pattinson as a vampire who makes girls swoon. But in "Little Ashes," which opens on Friday, the actor explores a relationship that could reshape his heartthrob image.
Pattinson, who turns 23 this month, plays surrealist painter Salvador Dali at a youthful stage in his life when he had a sexually charged relationship with poet Federico Garcia Lorca.
Pattinson took the role long before he became a sensation with legions of adoring, young female fans captivated by his portrayal of vampire Edward Cullen in last year's global box office smash, "Twilight."
Industry watchers say the success of the movie, based on a popular book series by author Stephenie Meyer, was largely due to girls imagining they -- not the film's heroine Bella Swan -- were being wooed by the fanged Cullen.(Gozde: They don't have FANGS dammit! :))
Pattinson, who has said he is straight, told Reuters he doesn't believe "Twilight" fans will think differently of him for his character's sexuality in "Little Ashes."
"I don't really mind either way," Pattinson said of his movie choices. "I'm not really trying to appeal to anyone in particular."(Gozde: And that is why we are ROBsessed :) Don't ever try...)
The British actor said the romance between Cullen and Swan somewhat resembles the attraction between Dali and Lorca in "Little Ashes."
"In a lot of ways, the storyline is similar to 'Twilight.' It's about two people who, for various different hangups and terrible insecurities, can't in any way consummate their relationship," Pattinson said.
AN AFFAIR TO REMEMBER?
Made with backing from companies in Britain and Spain, "Little Ashes" shows Dali forming a bond with Lorca (Javier Beltran), and evolving from a quiet student to the famously eccentric artist with his long, pencil-thin mustache.
Dali and Lorca kiss and swim in the moonlight, but the painter eventually spurns Lorca's advances.
In 1969, the painter told an interviewer that he had rebuffed Lorca's attempt at a sexual affair.
"I was extremely annoyed, because I wasn't homosexual, and I wasn't interested in giving in," Dali said at the time.
Yet the film portrays him as a willing, if emotionally conflicted, participant. Dali died in 1989 after a decades-long marriage to Gala, who served as his muse.
Cooper Lawrence, author of "The Cult of Celebrity," said Pattinson is an icon to young women because he seems like the perfect boyfriend."He's edgy but not too edgy, he's someone you can still bring home to mom, but he's a little down and dirty so you think he's cool. And he's so nonthreatening, and that's a big part of it," she said.
Many of his fans may not get a chance to see "Little Ashes" because initially it will screen in a limited number of theaters, mostly in big cities.
(Editing by Bob Tourtellotte and Xavier Briand)
(please visit our entertainment blog via www.reuters.com or on blogs.reuters.com/fanfare/)
source: ReutersHeat World Scan

Thanks to Amanda Seyfried to Star with Rob? We think NO
The above picture has nothing to do with this post but it's HQ and you can see his mipples so I thought I'd slip it in :))Onto business:
LAiMEy Gossip claims:
Amanda Seyfried will reportedly begin work soon on Remember Me costarring Robert Pattinson with whom she presented at the Oscars a couple months ago. Cute. They looked great together, even though he seemed like he wanted to die.
Gozde: *Takes a deep breath* Well, I am calling this rumor: WRONG. But since LAiMEy always gets her rumors from....(God knows where... little birds? Her tush? ) it is not surprising that she'd be wrong.
This rumor started when screendaily.com reported this:
Summit Entertainment is presenting four new titles to buyers at Cannes this year including two new Summit productions - a romantic drama starring Twilightsensation Robert Pattinson and a generational love story set in Italy starring Amanda Seyfried.
You can read the rest of the story HERE where it talks about the 2 DIFFERENT movies that Rob and Amanda will star in.
Paul Morrison: Rob felt so much more a Dali – the combination of acute intelligence, vulnerability and self-consciousness
Amanda Bell - The Twilight Examiner had the chance to interview Little Ashes director Paul Morrison. Here are some parts but you should read the whole article. It's very good :)
“We made it in the spirit of . . . just need[ing] to make this film, it’s crying out to be done, without expectations of what will happen to it,” says Paul Morrison, director of Little Ashes about his film. “But I’ve been around long enough to know it’s when you least expect it that good things can happen.”
Little Ashes (which will be released this Friday, May 8, in the United States)(Gozde's note: It is released in UK and Spain as well. For the list of theaters check HERE and HERE:)) has been met with great anticipation. Starring Robert Pattinson, Javier Beltran, Matthew McNulty, and Marina Gatell, the film will present an ephemeral biopic of the life of Salvador Dali – a Spanish artist whose art, some say, is impossibly well done.
As a director, Paul Morrison is known for his work in Wondrous Oblivion, Solomon and Gaenor, and Degas and Pissarro Fall Out. With Little Ashes nearing release, however, his name has practically become house hold.
I had the pleasure of interviewing the thoughtful and intellectual Mr. Morrison, and, after doing so, I am convinced that he is right, “good things can happen” – and to the right sort of people.
About what brought Morrison to the Little Ashes picture, he says it was “[a] great screenplay.” Continues Morrison, it’s “an intimate human story of these three or four people’s relationships at an extraordinary moment in history of social and artistic ferment. Plus, it was about these three exceptional artists, at least one of whom was a hero of mine.”
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For Lorca and Dali, I must have seen every up-and-coming young actor who was available in both Spain and the U.K. Originally, Rob read for Lorca, and I was going to cast Dali in Spain. But Rob felt so much more a Dali – the combination of acute intelligence and vulnerability and self-consciousness that the part demanded – that I switched, and brought him back to read for Dali. He was perfect. I never saw anyone in Spain who felt right for Dali, by the way.
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Still, there were good days and bad days on set. A “perfect day,” says Morrison, “was shooting the scene where Bunuel comes upon Dali and Lorca in a clinch in Lorca’s room. Nice and contained, funny, and brilliant performances, and time enough to get all the shots I wanted, and think of some others.” Continues he, it was “also very magical to shoot in Cadaques in the little bay which was Dali’s favourite, and to know that he had stood on the same rocks with Lorca eighty years before. . .” An “awful day,” says Morrison, “was shooting the aunt’s dinner party where we had a lot of Spanish press and TV around, trying to present a front of professional calm to the, but the actors were 5 hours getting through make-up, and I was screaming with impatience as we were left with only two hours to shoot the big scene.”
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With Twilight and How To Be star Robert Pattinson in the cast, and with his recent successes outside of Little Ashes, his fame is bringing a lot to the table for the release of this picture. About that, Morrison says, “I don’t follow it very closely, but mostly it has been great for us.” On the other hand, “where Rob has been misconstrued,” says Morrison, “and seemed to be putting down our movie when that wasn’t what he intended,” it can be irritating. Though, says Morrison, “I’m delighted for Rob for his success, and delighted, too, that he will draw a new audience to the movie. The fans of his who have seen it so far, who I’ve spoken to, seem very positive.”
You can read the entire article at the source . Thanks to Amanda for sharing the interview...
“Timely Look”: Interview with Oliver Irving, director of How to Be

Less than 2 weeks until we unfortunate souls that couldn't see the movie in theaters get to see How To Be on DVD.Can't wait! :))
Very refreshing interview (not all questions are about his RobArtness) from popmatters.com with How To Be
When Oliver Irving began writing How To Be in 2004, he couldn’t know that when the film finally premiered at Slamdance four years later, his timing would be so fortuitous. Irving’s first feature film follows Art, a 20something aspiring musician in the midst of a “quarter-life crisis.” Now, following the release of Twilight, the casting of Robert Pattinson as Art looks brilliant. Irving made the rounds on the festival circuit with sold-out screenings and a cache of audience awards (including an Honorable Mention at Slamdance, Best Feature at New Orleans, and Best Actor for Pattinson at the Strasbourg International Film Festival).
The film is also timely in its subject matter. In a season of too many arrested development male-bonding comedies, How to Be offers a version suffused with a wry charm. Picked up by IFC Films in February, the movie screened at the IFC Center in New York in April and premiered on IFC Festival Direct on 29 April.
The festival schedule for How to Be grew leading up to the IFC release, with more and more sold out shows.
I’ve been really touched by the strong positive response to this film. It has been amazing, the support we have had. That is why we took the bold step of booking our own cinemas, so we could tour around, screening the film and try to see as many people as possible.
You’ve watched the film with multiple festival audiences. Has the reception changed from last winter to this?
When it first screened, it did have a really good response. What has changed is the numbers of people in the audience. Some people have seen it several times as well, so members of the audience are really starting to be familiar with the characters and even coining catchphrases in some instances, which is great. I love hearing the laughter during the film, I really do; it makes it all worth it.
How to Be sold out its first screening at the DC Independent Film Festival in March. Before the session began, the director of one of the accompanying short films made the joke that he was shocked so many people wanted to see his film. What do you think about droves of Robert Pattinson fangirls turning up at an independent film festival?Every so often, someone will love the movie and not have even really heard of Rob and that is reaffirming. But then, often people will say, “I came because of Rob, but I loved this film in its own right.” I can tell from what they say that their response is really genuine, so I am just glad that Rob’s star factor has brought in potential audiences. We have found that actually one of the groups of people who responded favorably to the film turned out to be the same as those who might be fans of Rob—so it was the right audience to start with. I’m glad the film won the Grand Jury Honorable mention at Slamdance long before Rob’s stardom flared up. That eases my neuroticism somewhat.
The DCIFF program describes the movie as “a timely look at the increasingly growing phenomena of grown-up children living at home, frustrated creativity, and self-help.” Is that their take on it or yours?
It comes from our synopsis. But it is interesting to hear different people’s opinions as to what the film is really about. I love that everyone seems to take away a different particular element.
Continue reading HERE.