Showing posts with label Sunday Times. Show all posts
Showing posts with label Sunday Times. Show all posts

Robert Pattinson At No10 On 'The Sunday Times' 50 Young Rich List

Robert Pattinson At No10 On 'The Sunday Times' 50 Young Rich List

The Sunday Times published their Rich List today and look who made it in at no10 on the 50 Young Rich. Rob is worth a cool £65million!

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Thanks Cali for the heads up!

Robert Pattinson talks about picking strange roles, proactive fans and more in 3 interviews

Robert Pattinson talks about picking strange roles, proactive fans and more in 3 interviews

Here's some weekend reading to dissect. 2 interviews were conducted during Cannes and the final one is a translation but reads well. Enjoy some ClassicRob!

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The Sunday Times - From Beauty To Beast: The best thing about Robert Pattinson is how weird he is. If he weren’t acting, he’d be the one in the office grinning with half a mouth and going out of his way to avoid the water cooler. He’s friendly, but weird — with a laugh like Butt-head if he’d gone to a nice independent school in Barnes. We met in May at the Cannes film festival, once he’d finished his cigarette under a sky barely holding its rain. To call his clothes “grunge” would be a disservice to the thought that goes into grunge. It’s just messy: lumberjack shirt, T-shirt, trainers, white jeans. “I’m so hung-over,” he moans, as I turn the tape on. “I feel absolutely disgusting.”

The room is packed with soggy hacks. They sit in clusters, for 15 minutes of R-Patz, for a quote about Twilight to spread over the internet. The vampire saga is over, but remains undead. From 2008 to 2012, those five films, based on Stephenie Meyer's novels, made £2 billion worldwide and fostered a fan base still fervently in love with their leading man. To many, he will always be Edward, the immortal who cared and fell in love with Bella (Kristen Stewart). They added to the mystique by becoming an off-screen couple, too. Throw in his key role in Harry Potter and it’s unsurprising that the pallid hunk has spent much of his life in the headlines. It’s been an odd coming-of-age for the youngest of three, who grew up in a polite London suburb and, as I find out, doesn’t really like big films.

What he does like is his latest role, in The Rover, an indie thriller from the ­director David Michôd, who hasn’t even seen Twilight. This pleases Pattinson, who talks avidly about the film even though he went to a party last night and “forgot” he had to work. There are few more normal 28-year-old multi­millionaires. We talk about a recent interview for Dior in which he spoke, foolishly, about French girls because, “I was being asked ‘What’s your favourite part of scent?’” He shakes his head at the inanity of the question. “I also told someone I use moisturiser, and then saw it written down — I’ve spent all this time ­trying to get credibility and there’s a fucking headline about moisturiser!’”

The thing is, he’s mortified. All he wants, and needs, now is credibility. He’s loaded: five Twilights and some fashion contracts have sorted that. So, over the past few years, since David Cronenberg’s Cosmopolis in 2012, he has been seeking weird, dirty roles. He’s the only actor to have had sex in a limo — on screen — twice this decade. In The Rover, he defecates in a dusty shrub. I put a quote from Catherine Hardwicke, who shot the first Twilight, to him. “Rob’s obviously ridiculously photogenic, but he’s also so talented. I see him creating stylised, odd, wild characters.” He squirms at the first part, but loves the second.

“I’m picking things so strange, they can’t be judged in normal terms,” he says. His brain is creaking; his voice, soft and tired. “If anything’s relatable in a mass way, I don’t know if I can do it. That’s just not how I relate to anything. If there are certain character beats, I’m not going to be able to achieve them. So I like making it my own game. You can invent a new set of ­emotions that don’t even really make sense to you.”

In The Rover he plays Rey, a bloodied drifter in a future Australia, ravaged ­lawless by some unspecified crash. He may be a ­soldier and, as Pattinson puts it, is “handicapped”. The actor is excellent, bringing the baggage of his better-known work to a sombre, serious film — Sad Max, if you like — that pits him against Guy Pearce’s angry Eric. The pretty one sings along to a song that goes: “Don’t hate me ’cause I’m beautiful.” Rey’s teeth are awful: ­pyramid-sharp and crooked. They remind Pattinson of “the kids at school who didn’t brush their teeth” — the “weirdos”, he smirks. “Always the ones who played too many video games.”

This is what’s fun about Pattinson — or, at least, his hung-over version. There’s no filter. Most big shots would hold back from a slur about people who play video games, as most of them watch their movies, too. But he doesn’t. I suggest that the mentally and physically crooked Rey is his Miley Cyrus moment, a public ruining of something innocent. “It’s like doing Miley Cyrus,” he repeats, grunt-giggling, but I don’t think he ever thought of ­himself as pure. He certainly doesn’t care. He doesn’t even have a publicist. I could have asked who he’s dating, but any answer about that from a globetrotting young heart-throb in May, for a piece in August, felt hopeless. On the way out to Cannes, I read up on his love life. There were rumours about the model Imogen Kerr, and Katy Perry, and Katy Perry’s stylist.

I ask what he thinks he will be rem­embered for, how Google will autofill his name in the future. Stewart — his Twilight co-star, about whom he recently said, “Shit happens” — will always be there. So will Twilight. What else? “Gay?” he laughs. But it’s not really up to you, I add. Yours is an image controlled by manic fans, ones who retweet any news about any role hundreds of times a minute. “They’re very pro­active,” he nods. “Good publicists. But I don’t like referring to them as ‘fans’. I think it’s gross when people are, like, ‘I love my fans!’ You don’t even know them.” He continues, saying he thinks that’s probably dubious as he’s “quite insecure”, before booming, theatrically: “ ‘How can you ever love me? You don’t!’ ” I have no idea how much of this conver­sation he will remember.

More under the cut!

David Cronenberg Talks To The Sunday Times About Calming Down A Nervous Robert Pattinson

David Cronenberg Talks To The Sunday Times About Calming Down A Nervous Robert Pattinson

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Cosmopolis is Cronenberg’s most prescient film yet. The mercurial director tells Kevin Maher about capitalism, phone-hacking and calming a manic Robert Pattinson

It’s the early erotic climax of David Cronenberg’s new movie Cosmopolis, and it features teen heartthrob Robert Pattinson playing Eric Packer, a billionaire asset manager. Packer is staring deeply into the eyes of his financial director, Jane Melman (Emily Hampshire). The pair banter. They talk about foreign finance ministers. They joke about Melman’s water bottle. They even discuss the ubiquity of sexual impulses.

There’s just one thing awry, however. And it’s the fact that Packer is also on all fours, with his trousers down, in the middle of a protracted and hugely squelchy six-minute prostate examination.

This, of course, is very Cronenberg. For the man who gave us exploding heads in Scanners and sexualised body scars in, well, everything from Rabid to eXistenZ, is famed for both his perverse desire to subvert expectations and for his thundering belief in the tyranny of biology — “We can never escape from the reality of the human body!” is a favourite mantra.

Scans: Robert Pattinson In The Sunday Times "Culture" Magazine

You already read the transcript of Robert Pattinson's interview with "The Sunday Times" last night (in case you missed check it out HERE)
Now here are the scans from this mornings paper (sorry the edges are cut a bit the mag was too wide for my scanner)

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Another cover shot (Thanks to )


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Robert Pattinson talks Bel Ami, upcoming projects, cropped hair, family and more with Sunday Times (UK)

Robert Pattinson talks Bel Ami, upcoming projects, cropped hair, family and more with Sunday Times (UK)

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From The Sunday Times:
The Beauty of The Beast
Robert Pattinson on swapping his vampire fangs for the dark arts of a serial seducer in his new film, Bel Ami
The world’s favourite vampire is in Berlin for a whirlwind visit and, true to bloodsucking type, Robert Pattinson isn’t eating. Tonight, he will do the red-carpet thing for the world premiere of his new film, Bel Ami, but in the private hotel lounge allocated for this interview — “This is classy,” he comments as he strolls in — he barely makes a dent in the chicken salad he has ordered, despite his professed hunger.
Pattinson isn’t known for playing characters who do much smiling or laughing, either, so the first thing to notice is how readily he does both in person. Decked out in a black-grey ensemble and sporting a new cropped haircut under his black cap, he has barely sat down, with a pack of Camels by his side, before he’s folded up in mirth, talking about the KitKatClub, a notorious Berlin sex joint, and his desire to ­patronise it with his family. Is he joking? I hope not. “I was telling my dad about it last night, and he sounded really into it. ‘I’m coming over — let’s go to the orgy club.’ ”

The 25-year-old actor has been to Berlin many times. One of the best holidays he ever had was a stay in the east when he was 17, “before it was so gentrified”, ­frequenting bars that took up illegal residence in abandoned buildings. Such footloose times are seemingly in the past for the star of Twilight, although his desire to hit the KitKatClub may indicate otherwise. The other observation to make is that Pattinson is a very handsome man, but his face is less wide and flat than the camera makes it appear. And there are enough imperfections to separate him from the standard Hollywood pretty boy.

Nobody wants to see a dickhead succeed — that’s why I wanted to do it
It is easy to see why he is ideal casting as a heart-throb vampire, but equally why he got the role of Georges Duroy, the ­insatiable money-and-lust monster at the heart of Bel Ami. This adaptation of Guy de Maupassant’s belle époque novel marks the directing debut of two of our most acclaimed theatre practitioners — Declan Donnellan and Nick Ormerod, the founders of Cheek by Jowl. Of the projects Pattinson has chosen with the Twilight safety net in place, the first two, Remember Me (2010) and Water for Elephants (2011), were unadventurous romantic excursions, unlikely to ­perturb even the most rabid Twihard. Bel Ami is where it gets interesting.

Georges Duroy is essentially the anti-Edward Cullen, an opportunistic cad who deploys sex for ruthless gain, screwing people — literally, in the case of the rich society wives played by Uma Thurman, Christina Ricci and Kristin Scott Thomas — on his rise from impoverished soldier to powerful Parisian. Cullen is the charming, soulful vampire who gets the girl; Duroy is the charming, soulless parasite who gets everything but his own comeuppance. Pattinson nails his repellent, empty charm, sneering as he seduces.

Sticking closely to the Maupassant source is one of the many strengths of Donnellan and Ormerod’s gorgeously ­realised vision, and Pattinson admits that tweaking Twilight-fuelled preconceptions was an original lure. “But my ideas about it changed as I was doing it,” he says. “Georges keeps getting beaten down by the world, but he never learns. He succeeds because of the bad points of his personality. Nobody wants to see a dickhead succeed — that’s why I wanted to do it.”

For their part, Donnellan and Ormerod are predictably effusive about their star: the former praises his “passionate attachment to us” during the film’s difficult financing, and credits him with “edge and intelligence”. “There’s a huge difference between Georges and Rob,” Donnellan says. “Georges rises to the top with no ­talent. Rob has masses of it.” (Donnellan sees Bel Ami as a parable on modern celebrity culture.) They also attribute the idea for a five-week theatre-style rehearsal process to the actor, a savvy move that allowed him to soak up their reservoir of knowledge about performance and period. He showed up every day for 10 or 11 hours. “I ended up doing mime and crazy improvisations, because you run out of stuff to do,” he says. “One day, Holliday [Grainger, his co-star] and I ran around screaming at each other for four hours.” Pattinson can’t articulate how the process fed into his performance, although when he arrived on set in ­Budapest in February 2010, he was ­worried he had overcooked it.

Meanwhile, Ormerod and Donnellan were taking the baby steps that come with being debut film-makers. The former focused on the design tapestry, the latter on the actors. Pattinson recalls them putting a row of audience heads at the bottom of the monitor, but the graceful story­telling they bring to Bel Ami bodes well for their move from stage to cinema. “We’re now rather bitten, I’m afraid,” Donnellan says.

Published in 1885, Maupassant’s masterpiece was shocking in its day. The author knew he was on borrowed time while writing this, his second novel — he eventually succum­bed to syphilis — and it is infected by a spirit of nihilistic hedonism, of indulging base instincts while you can because, as the antireligious Duroy puts it: “This is the only life; there’s nothing after.” Pattinson wishes they had kept a shot near the end where Georges turns to a crucifix and thanks God for his good fortune. “It was done in the most blas­phemous way,” he says, “thinking of God as Father Christmas, which was funny. There’s a lot of misery in the movie. It’s not as funny as I thought it was going to be.”"
"There is plenty of sex, though, with Pattin­son indulging in numerous clinches, mostly with Ricci’s sweetly amorous ­Clotilde. What does he think die-hard Twilight fans will make of Georges? “I’m curious to find out,” he says. “He doesn’t come across as [being] as bad as I wanted him to, so I don’t think anyone will be offended.” Pattinson is right about that — Georges is worse in the novel. As for Twihards, he credits them with more complexity than most, explaining that they are a literary-minded bunch who mostly hadn’t seen a film in years before the ­Twilight series. They are always giving him books, apparently; today, one handed him the works of a 1950s Greek poet. Having witnessed a Twilight premiere in action, I profess amazement that people able to unleash such unearthly shrieks could be that bookish. “Maybe they read a book in the same way,” he grins, as he mimes holding an open paperback. “ ‘He takes his shirt off...’” He widens his mouth into a muffled scream, then creases up with laughter.

Pattinson once claimed he expected ­Twilight to be a “serious indie” film, rather than a blockbuster franchise with fast-food tie-ins. He has also expressed a sort of ­ben­evolent envy at the way his co-star, ­Kristen Stewart — widely assumed to be his girlfriend, although he won’t discuss it — rose up through the indie ranks before her ­casting in Stephenie Meyer’s angst-soaked saga, whereas he is having to fit in his indies while already famous. “Nobody ever believes me about it, but I just didn’t see it as being this huge thing,” he insists. It’s the sequels he has found most difficult. “The whole point of the character is that he doesn’t change, but, after a while, you’re, like, ‘I’m running out of ideas here.’ There was one bit in the last film where he and Bella had their first argument, and I almost didn’t know how to play it, because it’s not like they’re going to break up.”

Bizarrely, our conversation is interrupted when the hotel starts pumping a dreadful pop song into the room. “That’s from the Twilight soundtrack,” Pattinson smiles wanly, not that amused. Mercifully, the sulky track is terminated in time for Pattinson to reflect on where he wants his career to go after Breaking Dawn — Part 2 draws the curtains on the series. Last ­summer, he shot David Cronenberg’s ­Cosmopolis, playing an egocentric billionaire who seeks meaning in his wealth (“One of the weirdest scripts I’ve read”), and he is currently weighing up three projects, none of which he will talk about, although the cropped head is for a tryout.

He seems unsure where to go next, explaining that, without a definable screen persona, “Nobody’s going, ‘Get me Pattinson’. I always find the best scripts have been written with people in mind, but I don’t really know who I am yet in terms of cinema, and I haven’t done enough work to have an audience perceive something. “It’s still, ‘Oh, there’s the Twilight guy trying to do something else.’ I’m very conscious of what I think people would believe me as, which drives my management crazy”. Where does he draw the line? “I’ve turned down playing a marine, because I don’t want marines to go, ‘This is a disgrace.’ ” His laughter sounds hollow this time. “I want to do something where I have a gun, get to run around a little bit.”

For the past five months, he has been living in Los Angeles, his longest stretch in the industry town, splitting his time between three houses and the occasional hotel — a nomadic reality forced on him by the rarefied nature of his celebrity. Does one of those houses belong to Stewart? “Ummm...” he hesitates. “I just think it’s best never to talk about that stuff.” When I tell him that George Clooney said recently he longed for the days when he could walk into a park and read a book undisturbed, Pattinson reveals that he was driving through LA a few days ago when someone pointed out the house Clooney lived in “when he had his pet pig and stuff”. He was shocked to see it was right on the street, unshielded.

“It reminded me that, 10 years ago, even being the most famous person in the world, you could still have a house where people wouldn’t go and camp outside. I do everything to hide because, if someone finds out where I am, there are people outside 24 hours a day. And that’s what drives you crazy, because you can’t escape. It makes you not want to go out — then you don’t meet anyone and just get insanely bored.”

He hates complaining, though: “The pros outweigh the cons by a significant margin.” But it’s hard to think of another actor his age in a similar predicament — Zac Efron, maybe. To his credit, Pattinson doesn’t show his frustration in public, and is yet to succumb to Sean Penn-style meltdowns. When the pressure valve needs releasing, as surely it must, he rings up his parents, who still reside in Barnes, the riverside enclave of southwest London where he grew up. “They think I’m insane,” he says. “They are the only people I really let rip on — ‘I’m going to kill myself!’ My family all think I hate my job so much, but it’s just the boredom that gets to you.”

A couple of hours later, in a far smarter black-grey ensemble, Pattinson roams the Bel Ami red carpet. There is squealing, but it doesn’t reach violent levels — ­Germans are so restrained — although one teenage girl has to be lifted out of the ­autograph mosh pit to safety. Tears stream down her face, which might simply be anguish at being whisked out of her idol’s orbit. The film plays to a warm reception, but a German hostess abandons all ­decorum on stage afterwards, ignoring Donnellan, Ormerod and Ricci, and hauling Pattinson out of the line-up to coo: “Ladies, I’m touching him.”

The actor smiles patiently — he can’t escape, even if he’d like nothing more. He does better at the afterparty, hiding away from prying eyes with his parents and two sisters in an inner sanctum. If he didn’t, he’d be facing similar encounters all night. Pattinson was last spotted venturing into the Berlin night with his family, on their way, he said, to the KitKatClub.  

Bel Ami opens on March 9


Source: Sunday Times | Thank you Chrisska for the interview!

Robert Pattinson Is The Eighth Wealthiest Briton Under 30

Young, Rich and Handsome.
Yes Robert Pattinson is the eighth wealthest Briton under 30 according to "The Sunday Times Rich List" that came out today.

He was beaten on the list by his Harry Potter co-star Daniel Radcliff but somehow I don't think Rob is going to be too bothered about it!

Click the pic for Larger



From Metro.co.uk

Figures compiled for the Sunday Times Rich List illustrate just how lucrative the Harry Potter and Twilight film franchises have been for their stars.

Just as JK Rowling's wizard adventures have beaten Stephenie Meyer's vampire saga at the box office, Radcliffe has won the wealth battle against Pattinson.

Radcliffe, 21, is now said to be worth a staggering £48 million thanks to his appearances as Harry Potter on the big screen and his stage work.

Pattinson, 24, who appeared in the Harry Potter movies before going on to play Edward Cullen in the Twilight films, has amassed a £32 million fortune.

The figures put them in fifth and eighth positions respectively on the list of wealthiest Britons under 30.

Pic Source

Robert Pattinson On "The Sunday Times" Rich List

Robert Pattinson On "The Sunday Times" Rich List

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Twilight film star Robert Pattinson, 23, worth £13m, is the top new entry in the list of young millionaires aged 30 and under, ranking 14th. He joins Harry Potter film star Daniel Ratcliffe, 20, now worth £42m and ranked 5th in the young list, ahead of Kiera Chaplin, 27, and Keira Knightley, 25, each worth £28m and ranked equal 7th; Emma Watson, 20, worth £22m at 10th equal; and Rupert Grint, 21, worth £20m and ranked 12th.

The list was published as part of a special 104-page supplement in The Sunday Times. Here is what the paper had to say about Rob, as the article compared him to his also very rich Harry Potter co-stars:

All of them, however, may well be overtaken before long by a newcomer to the Rich List who is widely regarded as the coolest male lead to have emerged in the past few years.

Robert Pattinson, star of the Twilight vampire movies, has shot into the list as the 14th richest person under 30 with a fortune of £13m.


It is an amazing turnaround. Only a few years ago, Pattinson, who had a supporting role in the 2005 film Harry Potter and the Goblet of Fire, considered giving up acting altogether. According to an interview last month, he spent a year trying to break into the music business and “getting drunk”.


Then he landed the role of Edward Cullen, hero of the 2008 film Twilight. The second instalment of the saga came out last year and the third is due this summer.


Along with his ruffled hair and sculpted features, stardom and millions have made Pattinson the heart-throb of countless young, and not so young, women. He seems destined for even bigger things.


Yet he appears, so far, unconcerned by material possessions. He lives in hotels or stays with his parents while in London, drives an old BMW and dresses down.


This month he admitted considering buying a house in Hollywood, saying: “I’ve been forced to stay in a hotel for the last three years. I almost gave in and bought a house in Hollywood.” Then he added: “But luckily I realised how insanely expensive that is, and I don’t even know if I’ll still be working next year.”


He remains self-deprecating, observing: “Last year, if I went out, I’d have to fight to chat someone up. This year, I look exactly the same, which is really scruffy, and yet lots of people seem to have just changed their minds and decided I’m really sexy.”


via RobPattzNews

Robert Pattinson On The Sunday Times Rich List

Robert Pattinson On The Sunday Times Rich List

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The 22nd annual Sunday Times Rich List – the definitive guide to wealth in Britain and Ireland – is published in a special 104-page supplement, which profiles the 1,000 richest people and families in the UK and the wealthiest 250 in Ireland. The list is based on identifiable wealth (land, property, other assets such as art and racehorses, or significant shares in publicly quoted companies), and excludes bank accounts (to which the paper has no access).

Twilight film star Robert Pattinson, 23, worth £13m, is the top new entry in the list of young millionaires aged 30 and under, ranking 14th. He joins Harry Potter film star Daniel Radcliffe, 20, now worth £42m and ranked 5th in the young list, ahead of Kiera Chaplin, 27, and Keira Knightley, 25, each worth £28m and ranked equal 7th; Emma Watson, 20, worth £22m at 10th equal; and Rupert Grint, 21, worth £20m and ranked 12th.

Source via RobertPattinsonNews.com

Robert Pattinson In "The Sunday Times Magazine"


Yeap the Robsession is contagious



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Thanks to Vampirefreak101 and thanks to RobPattzNews for the tip.

Camilla Long (Sunday Times -UK) Is Now A Robert Pattinson Convert

Ahhhh another one bites the dust. This man seems to have magic powers as far as women are concerned. I was giggling away while reading this woman's tweets. Is no one safe from the Robert Pattinson effect? I just have one thing to say "Get to the end of the line, woman."



From The guardian.co.uk

Fans of the Sunday Times interviewer Camilla Long were treated to apparently real-time updates of her interview with Twilight star Robert Pattinson, thanks to the wonder of Twitter. To say she is a convert to his charms doesn't quite do her justice. "I am interviewing him and am basically beside myself and was not knowingly a fan before," she tweeted her Sunday Times colleague India Knight. "Robert Pattinson just kissed me. Actually did ... Clean smell, delicious beard ... not a fan before, am definitely now …"


And from Camilla's Twitter page








Wash your mouth out with soap, Rob is NEVER stinky!

Thanks to TwiFanZone for the tip :)

Robert Pattinson on Sunday Times Magazine cover

It's the same photo that they used for the "Sunday Herald" Magazine

Source Robsten Gossip
 
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